Definition, Betydelse & Anagram | Engelska ordet SCENE'S

Definition av SCENE'S

1. böjningsform av scene

Exempel på hur man kan använda SCENE'S i en mening

• The 1978 compilation No New York is often considered the quintessential testament to the scene's musical aesthetic.
• Most photographs are now created using a smartphone or camera, which uses a lens to focus the scene's visible wavelengths of light into a reproduction of what the human eye would see.
• The camera's shutter speed, the lens's aperture or f-stop, and the scene's luminance together determine the amount of light that reaches the film or sensor (the exposure).
• The Swedish death metal scene's earliest originators were influenced more by punk rock, especially the D-beat and hardcore punk scene, than they were metal bands.
• While recording lines for her role as Dil in Rugrats, one scene's script for Strong's character prompted her to make crying noises.
• The band's original following stemmed from the goth and Industrial genres, but the band themselves never followed the scene's usual clichés.
• Given the fluidity of the scene's jazz lineups at the time, the recollections need not be mutually exclusive, and in any event, it was those three musicians—all composers—who formed the initial core of the project.
• The band is now credited as one of the major influences of the UK festival scene's re-emergence, becoming particularly associated with the Glastonbury Festival and their handmade series of cassette releases, mostly sold at gigs and through a fan club.
• Using a term coined by Steve Coleman, they called these ideas "M-Base-concept" (short for "macro-basic array of structured extemporization") and critics have used this term to categorize this scene's music as a jazz style.
• The strip first appeared in Help! and Cavalier magazines, and subsequently in publications associated with the underground comix scene between 1965 and 1972; Fritz the Cat comic compilations elevated it to one of the underground scene's most iconic features.
• As well as Guerilla Records, the labels Deconstruction Records, Hooj Choons and Soma Records contributed to the scene's development in the early to mid-1990s.
• The roots of the swing revival are generally traced back to 1989, which saw the formation of several of the scene's most prominent figures: Los Angeles' Royal Crown Revue and Big Bad Voodoo Daddy, who often stuck close to playing traditionally-styled jump blues and rockabilly; San Francisco's swing scene included Lee Presson and the Nails who started performing at local clubs in 1994 and Lavay Smith & Her Red Hot Skillet Lickers, who showcased vocal jazz and blues influences, emerging in 1996; and Eugene, Oregon's Cherry Poppin' Daddies, who incorporated elements of punk rock and ska into swing and jazz music.
• A flashback makes its time-frame evident through the scene's action or the use of common archetypes such as sepia toning, the use of home-movie style footage, period costume or even through obvious devices such as clocks and calendars or direct character linkage.
• A cloth painted with the image, known as the meditation prayer cloth associates the symbol with six episodes from the life of Christ: the mouth of God at the Annunciation, the eyes spying Creation both in its prelapsarian innocence and redemption from the Fall at Calvary, while in the inward direction the betrayal by his disciple Judas in the Garden of Gethsamene points to the crown of the Pantocrator sitting in the judgment seat, the glad tidings of the Nativity scene's "Glory to God in the Highest and Peace to his people on Earth" echoes in the ear on the right of the head, while the memorial of the Lord's Supper "This is my body, which will be given for you" at the prayers of consecration in the Divine Liturgy of the Mass echoes to the ear on the left of the head.
• Produced primarily by Sparki (a member of the Jus Badd Crew, along with MC Mell'O and Monie Love), DJ Devastate and the Posse themselves, it had its roots firmly in reggae and hip hop, and the album sounded quite different from the predominant hardcore of their contemporaries, and cemented London Posse's reputation as one of the UK scene's most talented groups.
• The theatrical drape of blood-red cloth looms in the upper portion of the canvas; a common motif in deposition painting, here used to heighten the scene's dramatic effect.
• The scene's symbolism can also be explained by the fact that, in Skywalker Ascending, after the deaths of Han Solo, Luke Skywalker and Leia Organa, Chewbacca is the only survivor among the heroes of the Battle of Yavin in A New Hope.
• Various cast members remember Seinfeld encountering Tierney and stating "Hey Lawrence, what do you got there in your jacket?" Tierney then jokingly reenacted the shower scene from Alfred Hitchcock's Psycho (1960), holding the knife above his head and making stabbing motions towards Seinfeld while vocalizing the scene's musical cue, "The Murder".
• "Be Our Guest" has garnered universal acclaim from both film and music critics who, in addition to dubbing the song a show-stopper, praised its catchiness and Orbach's vocal performance while applauding the scene's unprecedented use of computer-generated imagery.
• Subsequent research has confirmed KV 62's basic, queenly plan and the north wall scene's Amarna proportions and diagnostic facial details; the discovery of palimpsest inscriptions further supports the view that the tomb continues, specifically to the burial apartments beyond of Nefertiti (interred as Akhenaten's successor Smenkhkare), KV 62's original and presumably still-present owner.

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