Information om | Engelska ordet AFRO-CARIBBEAN

Exempel på hur man kan använda AFRO-CARIBBEAN i en mening

• According to various sources, Belasco was born in Maracaibo (Venezuela), the son of an Afro-Caribbean mother and a Sephardic Jewish father.
• Olatunji won a following among jazz musicians, by infusing Nigerian rhythms with elements drawn from Ghanaian and Afro-Caribbean traditions.
• In 1948 when the first wave of immigrants of Afro-Caribbean descent arrived from Jamaica on the Windrush cruise ship, they were housed in several areas within Brixton, especially Clapham.
• Another 1985 internal memo released in December 2015 showed Letwin's response to the Broadwater Farm riot, which blamed the violence on the "bad moral attitudes" of the predominantly Afro-Caribbean rioters, claiming that "lower-class, unemployed white people lived for years without a breakdown of public order on anything like the present scale".
• The Garifuna are the descendants of indigenous Arawak, Kalinago (Island Carib), and Afro-Caribbean people.
• In Afro-Caribbean music, mambo is the section of an arrangement in Danzón and related styles, which features instrumental improvisation.
• Powerjam Radio, Respec Radio and Future Radio applied with an urban music format, and these applicants felt that broadcasting legitimately would create a radio format that would be a truly local service that would serve the city's Afro-Caribbean community- which they would say are consistently ignored by the mass media.
• In addition to the Bahamian Goombay tradition, Gombey is similar to some other Afro-Caribbean styles and celebrations (such as the Mummers).
• In Galería Caribe, Arjona explored Afro-Caribbean sounds, employing traditional rhythms such as guaracha, bachata, merengue, and salsa.
• Dougla is a term used in the English-speaking Caribbean and the Caribbean diaspora to refer to the large multiracial population of Indo-Caribbean and Afro-Caribbean descent, who make up a large percentage of the population in Guyana, Trinidad and Tobago, Suriname, Jamaica, Martinique, and Guadeloupe.
• Afro-Caribbean music has many common musical characteristics, including the use of Polyrhythms, call-and-response invocations and a variety of instruments.
• The influence of African food on Caribbean, Brazilian, American Lowcountry cuisine, and Cajun cuisine from Louisiana is seen in rice dishes and green stews like the Afro-Caribbean efo, duckanoo and callaloo.
• The seat stretches from the countryside around the Eccup reservoir to the north, through affluent residential suburbs such as Alwoodley, Roundhay, and Moortown, up-and-coming neighbourhoods popular with young professionals such as Chapel Allerton, down to deprived inner-city areas such as Chapeltown, the centre of Leeds' Afro-Caribbean community.
• Other figures of Afro-Puerto Rican and Afro-Caribbean poetry include Abelardo Díaz Alfaro (1916–1999) who also wrote Afro-Antillano lyrics and Angelamaria Davila (1944-2003) who wrote Afro-feminist poetry in the 1970s.
• Male Homosexualities and World Religions; Pierre Hurteau; Publisher: Palgrave Macmillan, 2013, chapter 6: Afro-Caribbean and Afro-Brazilian Religions pp.
• These national variations are a fusion of adapted Colombian folk stories with the national styles like northern music, mariachi, band music, romantic music, huapango, Son Huasteco, and also with ancient and modern rhythms from abroad like Cuban Son, salsa, merengue, reggae, and ska among the Afro-Caribbean rhythms, as well as the Bolivian, Ecuadorian, Vals and Peruvian folk styles, in addition to later influences from rock & roll, hip-hop, rap, disco, dance, and electronica.
• He also performs and records with Eddie Palmieri's La Perfecta II and Afro-Caribbean Jazz Octet, Michel Camilo's 3+3, the Mingus Big Band (often serving as musical director, and was an arranger on the 2007 Grammy nominated Live at the Tokyo Blue Note), the Jon Faddis Jazz Orchestra, and Jeff "Tain" Watts Family Reunion Band, among many others.
• As a performer, Sublette is probably best known for fusing country-western and Afro-Caribbean styles including salsa, cumbia and rumba, as reflected on the 1999 album "Cowboy Rumba", as well as his 2012 second album Kiss You Down South.
• Instead they were practitioners of Santería, the legitimate Afro-Caribbean religion depicted in the film as "a cult of evil that condones human sacrifice".
• Afro-Caribbean trends reappear in the poetry of Puerto Rican and Nuyorican poets such as Pedro Pietri, Miguel Algarin, and Giannina Braschi who continue the tradition of poetry as performance art, but with a clear anti-imperialist political thrust.

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