Anagram & Information om | Engelska ordet AMBITUS


AMBITUS

1

Antal bokstäver

7

Är palindrom

Nej

12
AM
AMB
BI
BIT
IT
ITU

1

1

516
AB
ABI
ABM


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Exempel på hur man kan använda AMBITUS i en mening

  • The six-string viola d'amore and the treble viol also have approximately the same ambitus or range of playable notes.
  • Typical melodic features include a characteristic ambitus, and also characteristic intervallic patterns relative to a referential mode final, incipits and cadences, the use of reciting tones at a particular distance from the final, around which the other notes of the melody revolve, and a vocabulary of musical motifs woven together through a process called centonization to create families of related chants.
  • The ecclesiastical Hypodorian mode was defined in two ways: (1) as the diatonic octave species from A to A, divided at the mode final D and composed of a lower tetrachord of tone–semitone–tone, ending on D, plus a pentachord tone–semitone–tone–tone continuing from D, and (2) as a mode whose final was D and whose ambitus was G–B (that is, with B below the final and B above it).
  • The Latin word ambitus is the origin of the English word "ambition" which is another of its original meanings; ambitus was the process of "going around and commending oneself or one's protégés to the people," an activity liable to unethical excesses.
  • Glarean regarded compositions with F as the final and a one-flat signature as transpositions of the Ionian or Hypoionian mode (depending on the ambitus).
  • Stefan's compositions display gradual development of the main melismatic motive in well-tempered melodic movement upwards and downwards, subtle repetitions with wide melodic ambitus, leap of the fifths and distinctive rhythmic motives.
  • He attacked Publius Cornelius Lentulus Spinther and Gnaeus Pompeius Magnus (Pompey the Great) in 59 BC by prosecuting a follower, Gabinius, for ambitus (political corruption) but was thwarted by a Pompeian praetor and was chased from the rostra by an angry crowd.
  • In the verses of more than 100 tenth-century offertories, the most virtuoso parts of Gregorian chant can be found, which among other things is reflected in the longest melismas, the largest ambitus and most text repetitions.


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