Information om | Engelska ordet ANIMATRONICS

Exempel på hur man kan använda ANIMATRONICS i en mening

• This includes the use of mechanised props, scenery, scale models, animatronics, pyrotechnics and atmospheric effects: creating physical wind, rain, fog, snow, clouds, making a car appear to drive by itself and blowing up a building, etc.
• The system of the animatronics relies on a combination of electric motors, solenoids, hydraulic systems, pneumatic systems, and cables to produce repeatable puppet movements that syncs to sound.
• The use of prosthetic makeup, animatronics, puppetry, or creature suits to create the appearance of living creatures.
• Initially the climax was to have had the Trickster become a more deformed monster through usage of prosthetics and animatronics, but once Flynn saw the creature he opted to use more subtle digital effects as he felt the monster designs while horrific were "too real".
• CEI was founded by inventor Aaron Fechter, who oversaw production of the animatronics and provided several of the characters' voices.
• The broad movements of the animatronics were controlled by puppeteers, while their more subtle movements were remote-controlled and operated via servo motors.
• Whilst the Dungeon does not have the space to accommodate any rides like its sister incarnations, the Dick Turpin section features 'drop benches' that give sudden movement to simulate a crashing stage coach and animatronics under the seat during a discussion of leeches to simulate their feel.
• Designed by legendary Imagineer Rolly Crump, the stage and concept would be similar to the final incarnation, but with three animatronics dedicated to emotion, intellect and the nervous system.
• Fearing the film would fail to stand-out among the trend of “animal attack” movies coming out at the time, Cinequity rewrote the script to add supernatural elements, replaced the wrangled snakes with animatronics, and brought on-board director William Fruet in May 1981.
• Shields and Yarnell's specialty was a series of skits called The Clinkers, in which they assumed the personae of robots, with many individual, deliberate motions (as opposed to normal smooth motion) stereotypical of robots and early animatronics, enhanced by their ability to refrain from blinking their eyes for long stretches of time.
• A funhouse is used by the villain Francisco Scaramanga in the James Bond film The Man with the Golden Gun (1974), wherein a series of animatronics, obstacles and illuminated mannequins are used to distract and frighten the victim before the victim is shot by Scaramanga.
• Maggie cackles as her mubber body disintegrates under UV light, revealing that she was one of the stolen animatronics, with a male voice coming through a hidden device on the floor, telling the gang that they "can't catch what they can't hold!".
• According to James Wan, the original puppet's face for Saw involved clay, papier-mâché, and black ping-pong balls with the irises painted in for the eyes, but in later films more sophisticated construction included waterjet-cut foam for the body and remote-controlled animatronics.
• The conceptual design was shaped by Iain McCaig, whose Ninth Ray Studios helped set up concept art, storyboarding, animatronics, and set design.
• The decorative art was bought in the Moroccan city of Marrakech and the animatronics were dressed by Belgian designer Jeanine Lambrechts.
• Aaron Fechter, founder of CEI and creator of The Rock-afire Explosion, claimed in 2008 that the fallout was due to a demand by Showbiz to own CEI's licensing and copyrights to the animatronics show.
• The film features the first aquatic Skynet robot, the Hydrobot, which Laing modeled on eels, and was built by the animatronics crew with its exterior made of metal-looking rubber so it could be used in the aquatic scenes.
• Kothare revived Tatya Vinchu with 3D, animatronics and state of the art CGI in the sequel Zapatlela 2, which was the first Marathi film shot in 3D using split beam technology produced by Spanish stereographer Enrique Criado.
• P&P Projects specializes in theming, scenery, props, inter-actives, exhibits, animatronics, specials, scale models, and high quality interiors.
• McKee supervised construction and artistic finish of the animatronics, and designed the Gizmo and Beetlejuice animatronics.

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