Anagram & Information om | Engelska ordet ARPEGGIOS

Exempel på hur man kan använda ARPEGGIOS i en mening

• More developed rhythm techniques include arpeggios, damping, riffs, chord solos, and complex strums.
• "In the Mood" starts with a saxophone section theme based on repeated arpeggios that are rhythmically displaced; trumpets and trombones add accent riffs.
• Furthermore, the harsher 'sheet metal instrumentals' of Praise the Fallen were largely gone, and the music as a whole was more complex with multiple-layered arpeggios and pads.
• His vocal techniques include singing fluidly but with quick and considerable jumps in pitch—for example, sustaining a melody while also rapidly alternating with arpeggios and harmonies—as well as scat singing, polyphonic overtone singing, and improvisational vocal percussion.
• Chord Tracks: Helps the user keep track of chord changes, and can optionally be used to harmonize audio and MIDI tracks automatically, as well as trigger arpeggios and chords with basic voicings or voicings for piano and guitar.
• Though he played with a lot of bebop musicians such as Charlie Parker and Dizzy Gillespie during his work as a sideman, he held on to swing vocabulary based on chord tone arpeggios and diatonic harmony.
• He was probably best known for his technical skills: blazingly fast picados (scales), fast arpeggios, quality composition for the many forms of flamenco, and infallible rhythm, which was critical when playing with a dancer.
• These are not only separated from each other in key but also in style: although they all include some long notes at phrase ends, overall one is a bouncy 6/8, one a martial-sounding, bold statement, and one a series of smooth arpeggios.
• As in Beethoven's Waldstein sonata, the coda is unusually long, containing quasi-improvisational arpeggios which span most of the early 19th-century piano's range.
• Bloomsbury Encyclopedia of Popular Music of the World noted common elements: repeated synthesizer arpeggios that are gradually modulated; reverbed snippets of dialogue from film, radio, or relaxation tapes; and samples of other musical works drifting in and out of the mix.
• The song was written by Don Felder (music), Don Henley, and Glenn Frey (lyrics), featuring Henley on lead vocals and concluding with an iconic 2 minute and 12 seconds long electric guitar solo performed by Felder with a Gibson Les Paul Gibson EDS-1275 double neck and Joe Walsh with a Fender Telecaster, in which they take turns playing the lead before harmonizing and playing arpeggios together towards the fade-out.
• "Tokyo Nights" depicts a wanderer in search of a place where he can quench his thirst in the bustling nightless city of Tokyo, with arpeggios of oboe and harpsichord that seem to herald the arrival of night.
• While there was controversy that the guitar solo in the middle of the song plagiarized Testament's "First Strike is Deadly", the guitarist for the solo, Lee Tae-Seop, mentioned in an interview that the solo's arpeggios reinterpreted Scandinavian folk songs, which had no copyright.
• Like the sixth, the seventh sonata is full of violent contrasts, complex counterpoint, advanced tritonal harmonies, and rippling, incandescent arpeggios.
• Music arranged for fingerstyle playing can include chords, arpeggios (the notes of a chord played one after the other, as opposed to simultaneously) and other elements such as artificial harmonics, hammering on and pulling off notes with the fretting hand, using the body of the guitar percussively (by tapping rhythms on the body), and many other techniques.
• In some pop songs, the solo performer plays the same melodies that were performed by the lead singer, often with flourishes and embellishments, such as riffs, scale runs, and arpeggios.
• His playing style consists of fast descending and ascending legato and staccato licks, exotic scale runs, making extensive use of the harmonic minor and Phrygian dominant scale, extreme use of his whammy bar, quick full ascending and descending sweep picking arpeggios, alternate picking and two-handed tapping on the higher frets as well as incorporating many other shred guitar style techniques.
• The last movement begins with a quiet but strenuous violin passage, accompanied by the orchestra, with many double stops and fast arpeggios; themes from the first and second movements are recalled and then, as the movement seems to be heading for a conventional finish, there is an unexpected and unconventional accompanied cadenza in which the orchestra supports the solo with a pizzicato tremolando thrumming effect.
• The levity in the song's arrangement—the jangling guitar arpeggios, the shivers of tambourine—belie the weight of the addiction and mental illness Hopkins found himself tangled in while writing, which dragged him to his death.
• This is answered by the sopranos in diminuendo, and the music softens and reverts to the dreamy harp arpeggios that it began with as the violin melody floats upwards to the final note in E-flat major and the full choir repeats, helped by the organ, with the altos finally joining: "".

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