Information om | Engelska ordet AZULEJOS

Exempel på hur man kan använda AZULEJOS i en mening

• Inside today, the convent has attractions that will be described, together with its courtyards and gardens, which are surrounded by arcades with Sevillian azulejos plinths by the Hernando de Valladares workshop.
• On the left side of the entrance stands the small baptistery with a fresco depicting the Baptism of Christ, 18th century azulejos and 16th century Manueline wrought-iron railings.
• The reign of this king saw the development of a transitional Gothic-Renaissance art style, named Manueline, as well as a kind of revival of Islamic artistic influence (Mudéjar) reflected in the choice of polychromed ceramic tiles (azulejos) as a preferred decorative art form.
• The side walls are decorated with 18th-century blue-and-white azulejos (ceramic tiles), depicting scenes from the life of Julian and Basilissa.
• Employment of azulejos in Brazilian art is both transcultural and transmedial, directly linking Portugal's historical colonial influence to aspects of contemporary Brazilian society.
• Then, in 1737, seeing the state of deterioration that the palace and other properties that she owned in the city had, the Countess saw the need to request the repair of all these, especially in the one where she resided in front of the then Calle de Plateros, and for which she wishes to embellish not only with the work of the stonework, but also orders the architect that the facade of the building be completely covered with azulejos from Puebla, whose task was entrusted to master Diego Durán Berruecos.
• It had grey Chiluca limestone structural elements (such as doorposts, gargoyles and cornices), while the external walls were covered with red tezontle (a porous volcanic stone) and blue details of talavera poblana (azulejos from Puebla).
• The building's present-day appearance is due to the actions of Rocha Peixoto and financial support from the Bonitos de Amorim family, a local family who got rich in Brazil, who added azulejos, in 1908–10, a work by the Belgian painter Joseph Bialman.
• The sacristy, with access on the left-side of the main altar, is covered in polychromatic azulejos, with a credence table made from Brazilwood.
• This return had the effect of reigniting donatives and decoration in the sanctuary: in 1852, the painter Carlos Augusto Massa, from Cujó, began work on several works, in 1879, the retables were re-gilded (at a cost of 374$520 réis); issues with the azulejos, which were in deteriorating conditions, were addressed; and, in 1881, a new image of Saint Anthony was purchased.
• In the following years there were new projects in the convent, including: azulejos (1725); the doorway in the oblique corridor alongside the chapel (1731); installation of new washroom (1733); new azulejo tile in the nave, construction of a cistern (with a 300$000 réis contribution from the government), reconstruction of the dormitory, kitchen and workshops (1737).
• The centerpiece is dedicated to the collection of ceramic and Toledan Mudéjar azulejos in the 14th and 15th centuries.
• It is Neo-Mudéjar style and its bricks with azulejos and flat roof tiles, make it a typical building of Sevillian regional architecture.
• Composed of four galleries, decorated with Sevillian azulejos dating from 1604 and 1606; the paintings that present passages of the life of Saint Dominic, founder of the Dominican order, were contracted in 1608 by the provincial superior of the Order of Saint Dominic in Peru with the Sevillians Miguel Güelles, disciple of Juan de Uceda and his collaborator, Domingo Carro.
• Mariano Filho removed or sold the church images, azulejos, floors, linings of the nave, furniture in jacaranda, and lavabo in lioz; elements of the church that were removed to Solar Monjope, his residence in Rio de Janeiro were lost with its demolition in the 1970s.

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