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Exempel på hur man kan använda BBFC i en mening

  • The award of 18 certificates by the BBFC to Shortbus and Destricted has brought close the abolition of censorship, but not of classification, and Ang Lee's Brokeback Mountain was a real step forward for the representation of homosexuals in mainstream cinema, though Gore Vidal claims that there's a gay subtext to every western.
  • In fact, the BBFC certified the film after demanding the removal, or at least obscuring, of the word fucking (via the sound of a car horn) in June 1967, three months later than Ulysses (1967), which suffered heavier cuts.
  • He was appointed as the second president of the Board of Film Censors in 1916 and appeared in front of the Cinema Commission of Inquiry (1916), set up by the National Council of Public Morals where he outlined the BBFC's position on protecting public morals by listing forty-three infractions, from the BBFC 1913–1915 reports, on why scenes in a film may be cut.
  • The UK distributors initially made it available as a mail order VHS title, on the grounds that this would allow the release of an uncut and unrated version, posted out from Europe and circumventing the BBFC (the assumption being that the BBFC would not pass the film without significant alterations).
  • Violence that dwells on the infliction of pain or injury is considered by the BBFC to exceed what is considered acceptable in the lower 15 category and is likely to result in an 18 certificate.
  • Unlike the BBFC in the UK, which prior to PEGI ratings becoming legally enforceable in the UK on 30 July 2012 rated video games that met certain criteria (such as very graphic violence), the Irish Film Censor's Office does not usually rate video games, leaving ratings to PEGI, unless the game's content is deemed prohibitable under section 3 (1) of the Act.
  • In the United States, the film was given a PG-13 certificate by the Motion Picture Association of America (MPAA), and in the United Kingdom, it was given a 12 certificate by the British Board of Film Classification (BBFC), which meant that anyone aged 12 or over could see it.
  • It remained banned in the United Kingdom until January 1994, when VIPCO resubmitted it to the BBFC, who agreed to pass it with an 18 certificate as long as one minute and forty-one seconds' worth of gore was deleted.
  • Whereas the VAC interpreted this as "actual harm", the BBFC and Mitting believed it referred to "potential harm and risk of harm".
  • The grannies drag the Goodies to the cinema to see The Texas Chain Saw Massacre, a film refused a British certificate by the BBFC until 1999, but which was widely released to cinemas anyway after local town and city councils (including the Greater London Council) awarded it an X-certificate (the equivalent to today's 18 certificate).
  • The Festival also worked to enhance perceptions of interactive entertainment and the industry by engaging with existing institutional advocates (BAFTA, ELSPA, DfES, DCMS, BBFC, DTI, LDA) and illustrating compelling and positive research while promoting future vision and horizons of the games industry.
  • If a video or video-game distributor's work is rejected by the British Board of Film Classification (BBFC), preventing it from being legally sold in the UK, the distributor can appeal to the VAC, which has the power to order the BBFC to reverse its decision and to grant a certificate to the disputed work.
  • The BBFC, under strict head censor James Ferman, deliberated extensively over whether to pass the film, worrying that it would be targeted in the media furore over video violence, stemming from press reports that the two boys responsible for Bulger's murder had been inspired by a rented video of Child's Play 3.
  • In contrast to the PCA's written code, the British Board of Film Censors (BBFC) model, which was established in 1912 for similar reasons to why the MPPDA had set up the PCA, was not a written code, and producers considered it to be abstruse, with violations transmitted after the film was submitted for certification.
  • However, whilst many of the larger respectable companies simply issued their previously BBFC certificated cinema releases onto video to play safe as they feared there was bound to be a clampdown at some stage, some of the smaller independent companies decided to take advantage of the unregulated video rentals market by issuing "strong uncut" versions depicting graphic violence and gore.
  • Despite eventually being removed from the DPP list of Video Nasties, the film was still postponed being released until 1990, that the film surfaced on video in the UK again, due to wrangles between the distributors and the BBFC over how much footage should be cut from a legal video release.
  • Contemporary posters show that the film was also released in the UK, where its exhibition was restricted to those age 16 and over by dint of the X-certificate given it by the British Board of Film Censors (BBFC).
  • ELSPA had recommended that as an industry standard, any game not needing classification by BBFC to be otherwise classified under the PEGI system, with the VSC helping to determine appropriating ratings.


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