Information om | Engelska ordet BUFFA


BUFFA

Antal bokstäver

5

Är palindrom

Nej

7
BU
BUF
FA
FF
FFA
UFF

43

48

38
AB
ABU
AF
AFB
AFF
AFU
AU
AUB


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Exempel på hur man kan använda BUFFA i en mening

  •  492, is a commedia per musica (opera buffa) in four acts composed in 1786 by Wolfgang Amadeus Mozart, with an Italian libretto written by Lorenzo Da Ponte.
  • Rossini's Barber of Seville is considered to be one of the greatest masterpieces of comedy within music, and has been described as the opera buffa of all "opere buffe".
  • It is a dramma giocoso blending comedy, melodrama and supernatural elements (although the composer entered it into his catalogue simply as opera buffa).
  • Despite his short life and few years of activity (he died of tuberculosis at the age of 26), he managed to create works of high artistic value and historical importance, among which we remember La serva padrona (The Maid Turned Mistress), of the highest importance for the development and diffusion of the opera buffa in Europe, L'Olimpiade, considered one of the masterpieces of the opera seria of the first half of the eighteenth century, and the Stabat Mater, among the most important works of sacred music of all time.
  • Janin prepared a formal proposal on 27 September, but while no specific subject nor title was mentioned, Janin suggested that it should be a new opera buffa tailored to the talents of some major singers including Giulia Grisi, Antonio Tamburini, and Luigi Lablache.
  • Especially associated with developments in Naples in the first half of the 18th century, whence its popularity spread to Rome and northern Italy, buffa was at first characterized by everyday settings, local dialects, and simple vocal writing (the basso buffo is the associated voice type), the main requirement being clear diction and facility with patter.
  • When the meagre results achieved by the new Singspiel programmes led the emperor to back down, getting an Italian opera buffa company recruited again and engaging Lorenzo Da Ponte as his theatre poet, the latter was charged to prepare an Italian translation of Gluck's opera, which was staged in the restored Burgtheater, on 14 December 1783.
  • The popular rival to opera seria was opera buffa, the 'comic' opera that took its cue from the improvisatory commedia dell'arte.
  • Mozart, who describes it as "comedy with music" This competition pitted a German singspiel, presented at one end of the room, against a competing Italian opera, the Italian entry being Antonio Salieri's opera buffa, Prima la musica e poi le parole (First the Music, then the Words), which was then given at the other end of the room.
  • The opera has a farcical plot, and the characters of the ridiculous guardian Trespolo and the maid Despina are prototypes of characters widely used later in the opera buffa genre.
  • The frequent chromatic inflections in the melodic line, as well as the use of woodwind and brass colour, are reminiscent of opera buffa, and seem to foreshadow the style of Rossini.
  • Members of the pro-Italian faction, such as the philosopher and musician Jean-Jacques Rousseau, attacked serious French opera, represented by the tragédies en musique of Jean-Philippe Rameau, in favor of what they saw as the simplicity and "naturalness" of Italian comic opera (opera buffa), exemplified by Pergolesi's La serva padrona, which had recently been performed in Paris by a traveling Italian troupe.
  • Il marchese di Verde Antico (composto in collaborazione con Francesco Piticchio, opera buffa, 1778, Rome).
  • Corigliano considers this work a "grand opera buffa" because it incorporates both elements of the grand opera style (large chorus numbers, special effects) and the silliness of the opera buffa style.
  • Critics of the time were slightly scandalized by Rossini's morphing of sacred ceremony into opera seria, and even buffa, at times.
  • The theatre, which stands at the north-eastern corner of the piazza at the end of Via Saffi, opened in 1791 with a performance of the La moglie capricciosa, an opera buffa by Vincenzo Fabrizi.
  • Memoirs of Uliana Rooney (1994), Fine's last major composition, is a contemporary opera buffa, with libretto and videography by Sonya Friedman.
  • The opera he composed for the Roman Teatro d’Alibert, in the Carnival of 1740, was not presented due to the sudden death of Pope Clement XII, but on Perez's return to Naples he staged an opera buffa, I travestimenti amorosi and a serenata L’amor pittore for the court, and an opera seria, Il Siroe, for the Teatro San Carlo.
  • Among Hoiby's other operatic works are the one-act opera buffa Something New for the Zoo (1979), the musical monologue The Italian Lesson (1981, text by Ruth Draper) which was produced off-Broadway in 1989 with Jean Stapleton, The Tempest (1986), and a one-act chamber opera, This Is the Rill Speaking (1992), text by Lanford Wilson.
  • In the serenata the cyclops' role entails actions with lethal consequences for Aci and is notable for its range and the vocal agility it requires; it rises from the D below the bass staff to the A above it — and that in its satirical, ponderous buffa aria, "Fra l'ombre e gl'orrori"; it may have been taken at the premiere by the bass Antonio Manna, who sang at the court chapel in Vienna.


Förberedelsen av sidan tog: 246,16 ms.