Information om | Engelska ordet CAPRICCI

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• Painter of cityscapes or vedute, of Venice, Rome, and London, he also painted imaginary views (referred to as capricci), although the demarcation in his works between the real and the imaginary is never quite clearcut.
• Selva di varia ricreatione nella quale si contengono varii soggetti a 3-10 voci, cioè madrigali, capricci, balli, arie, iustiniane, canzonette, fantasie, serenate, dialoghi, un lotto amoroso, con una battaglia a 10 nel fine e accomodatovi la intavolatura di Liuto alle arie, ai balli e alle canzonette (1590).
• His best-known works, however, are the 42 études ou caprices (42 études or capricci, 1796) which are fundamental pedagogic studies.
• Pietro Locatelli – L'arte del violino: XII concerti, cioè violino solo, con XXIV capricci ad libitum, Op.
• In later developments of the vedute, Pannini's veduta morphed into the scenes partly or completely imaginary elements, known as capricci and vedute ideate or veduta di fantasia.
• Ricercate, canzone francese, capricci, canti fermi, gagliarde, partite diverse, toccate, durezze e ligature, e un madrigale passagiato nel fine (1603, Napoli).
• V- Novi capricci armonici musicali in vari toni per la chitarra spagnola, violino, e viola concertati, et altre sonate per la chitarra sola, Op.
• Johann Jakob Froberger – Libro quarto di toccate, ricercari, capricci, allemande, gigue, courante, sarabande (presentation manuscript).
• Secondo libro di diversi capricci per sonare, Naples, 1609 (modern edition by Christopher Stembridge, Padua, 1984).
• Like Vernet, Bonavia painted capricci in which real features of the Neapolitan countryside were placed in imaginary settings.
• Lodovico Bertucci (17th century) was an Italian painter of the Baroque period, specializing in paintings of bambocciate (genre paintings of lower classes, typically painted by Bamboccianti painters) and capricci (imagined vedute).
• The 'quadratture' frescoes of Agostino Tassi and the urban views of Claude Lorrain and Herman van Swanevelt, which he saw in Rome, may have stimulated Viviano Codazzi to start painting capricci.
• The full title of Frescobaldi's work is Fiori musicali di diverse compositioni, toccate, kyrie, canzoni, capricci, e recercari, in partitura.
• Later, the tenor sang Radamès again at the Teatro alla Scala (opposite Maria Caniglia, then Herva Nelli, 1948), Andrea Chénier (with Renata Tebaldi and Enzo Mascherini, 1948), Fidelio (with Delia Rigal, 1949), Boris Godounov (as the Pretender, with Boris Christoff, 1949), Raskolnikov (1950), Lucrezia Borgia (opposite Caterina Mancini and Miriam Pirazzini, 1951), The Rake's Progress (with Dame Elisabeth Schwarzkopf, 1951), Proserpina y el Extranjero (1952), Wozzeck (as the Drum Major, with Tito Gobbi and Dorothy Dow, conducted by Dimitri Mitropoulos, 1952), Cagliostro (1953), Der Freischütz (with Victoria de los Ángeles, conducted by Carlo Maria Giulini, 1955), La figlia di Iorio (conducted by Gianandrea Gavazzeni, 1956), Malipiero's I capricci di Callot (led by Nino Sanzogno, 1968), The Bassarids (1968), Wozzeck (now as the Captain to Ticho Parly's Drum Major, conducted by Claudio Abbado, 1971), Morte dell'aria (at the Piccola Scala, 1971), and Le nozze di Figaro (with José van Dam and Mirella Freni as the Contessa, 1974).
• Geyger, who for the first time raised these questions, relied mainly on judgments of contemporaries—Lomazzo, Comanini, and Morigia, who used the terms "scherzi, grilli, and capricci" (respectively, "jokes", "whims", "caprices").
• He initiated an exemplary cycle of works by Franz Schreker, the reinterpretation of Gian Francesco Malipiero's I capricci di Callot, Franco Alfano's Cyrano de Bergerac and Die Liebe der Danae by Richard Strauss.

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