Anagram & Information om | Engelska ordet CHORALES

Exempel på hur man kan använda CHORALES i en mening

• Johann Sebastian Bach's vocal music includes cantatas, motets, masses, Magnificats, Passions, oratorios, four-part chorales, songs and arias.
• Johann Sebastian Bach's chorale harmonisations, alternatively named four-part chorales, are Lutheran hymn settings that characteristically conform to the following:.
• It can follow the standard voice-leading rules of classical harmony, as in string quartets or Bach chorales, or proceed in parallel motion with the melody in thirds or sixths.
• Intégrale des œuvres chorales (Sauh III & IV – TKRDG – 3 Canti populari – 3 Canti sacri – 3 Latin Prayers – Yliam).
• Scheidemann's lasting contribution to the organ literature, and to Baroque music in general, was in his settings of Lutheran chorales, which were of three general types: cantus firmus chorale arrangements, which were an early type of chorale prelude; "monodic" chorale arrangements, which imitated the current style of monody—a vocal solo over basso continuo—but for solo organ; and elaborate chorale fantasias, which were a new invention, founded on the keyboard style of Sweelinck but using the full resources of the developing German Baroque organ.
• Keyboard music (minuets, rondeaux, polonaises, chorales, sonatas, preludes, musettes, marches, gavottes) makes up most of both notebooks, and a few pieces for voice (songs, and arias) are included.
• He attended Broughdale Public School and Medway High School before studying music (primarily Bach's chorales and The Well-Tempered Clavier) at the University of Western Ontario.
• Three chorales are written by Paul Gerhardt and Bach included five stanzas from his O Haupt voll Blut und Wunden.
• Plainchant, associated with the Catholic Church, was largely replaced with choral music sung in the vernacular language—usually German—and the corresponding musical forms from Catholic countries, such as the motet, were replaced with forms that used as their basis the chorales instead of the plainsong from which much of the motet repertory was derived.
• Text booklets containing Schmolck's librettos and the chorales Stölzel had added to his settings of these librettos, were printed for the Leipzig church services in that period.
• Among the best-known chorales translated by Winkworth are "From Heaven Above to Earth I Come" ("Vom Himmel hoch, da komm ich her", Martin Luther, 1534); "Wake, Awake, for Night Is Flying" ("Wachet auf, ruft uns die Stimme", Philipp Nicolai, 1599); "How Brightly Beams the Morning Star!" ("Wie schön leuchtet der Morgenstern", Nicolai, 1597); and the Christmas hymn "A Spotless Rose" ("Es ist ein Ros entsprungen", anon, 1599).
• His organ works ranged from large-scale chorales to more diverse pieces, such as fugues, preludes, fantasias, toccatas, passacaglias, sonatas and concertos.
• Kaminski writes that the music, while in the line of Offenbach, Chabrier and Ravel's L'heure espagnole, impresses the listener with its stream of "miniatures and vignettes", dances (a valse for Thérèse, a polka for Lacouf and Presto) and pastiches from other lyric music such as ariettes in the style of opéra comique or chorales (after the duel).
• Aimed at the pious Leipzig merchant class for "spiritual recreation" or "refreshment" through music, the simple four-part organ chorales were paired with spinet or clavichord broken-chord variations, in the style brisé, then in vogue.
• The Neumeister Collection contains 82 chorales, most of them unpublished before the 1980s re-evaluation of the Neumeister manuscript.
• Biographers Schauer (1850), Hilgenfeldt (1850) and Bitter (1865) included the chorales in their overviews of Bach's compositions.
• The motet's SATB chorales were copied in several 18th-century manuscripts collecting chorale harmonisations by Bach.
• Begun as programmes of assorted choral works, the Abendmusiken first included a dramatic oratorio in 1678, when Buxtehude programmed Die Hochzeit des Lamms, a two-part work combining biblical text with chorales and assorted poetry, likely performed on two successive Sundays.
• The anonymous libretto draws on existing works (notably by Barthold Heinrich Brockes) and is compiled from recitatives and choruses narrating the Passion of Christ as told in the Gospel of John, ariosos and arias reflecting on the action, and chorales using hymn tunes and texts familiar to a congregation of Bach's contemporaries.
• It contains 668 chorales, hymns, carols, and chants, plus the liturgy for the Common Service, Matins, Vespers, and propers, collects, prayers, suffrages, canticles, psalms, and miscellaneous tables.

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