Anagram & Information om | Engelska ordet CHORO

Exempel på hur man kan använda CHORO i en mening

• Their music, both originals and covers, incorporates a number of dance styles, mostly polka, but also some Latin American and Caribbean styles like norteño, salsa, rumba, cha-cha-cha, choro, samba, two-step, cumbia, charanga, merengue, ska, etc, all performed with a rock/worldbeat energy.
• Ernesto Júlio de Nazareth (March 20, 1863 – February 1, 1934) was a Brazilian composer and pianist, especially noted for his creative maxixe and choro compositions.
• Brazilian music developed some unique and original styles such as forró, repente, coco de roda, axé, sertanejo, samba, bossa nova, MPB, gaucho music, pagode, tropicália, choro, maracatu, embolada (coco de repente), frevo, brega, modinha and Brazilian versions of foreign musical styles, such as rock, pop music, soul, hip-hop, disco music, country music, ambient, industrial and psychedelic music, rap, classical music, fado, and gospel.
• Originally choro was played by a trio of flute, guitar and cavaquinho (a small chordophone with four strings).
• The pandeiro is used in a number of Brazilian music forms, such as samba, choro, coco, and capoeira music.
• The show included a diverse and eclectic mix of performers and music from around the world — music and musicians which have included Brazilian choro music from the Robison-Lubambo-Baptista Trio, American gospel group the Albert McNeil Jubilee Singers, Latin-American and African carols and folk dances from Andrew Lawrence-King and The Harp Consort, the viol quartet Phantasm, jazz trumpeter Art Farmer, Bolivian Andean music specialists Rumillajta, eclectic composer Mark O'Connor and the Appalachia Waltz Trio, and African-American Latino wind group Imani Winds.
• By integrating the music of the older choro composers of the 19th century with contemporary jazz-like harmonies, Afro-Brazilian rhythms, and sophisticated arrangements, he introduced choro to a new audience and helped to popularize it as a uniquely Brazilian genre.
• His solo vocal and piano works of this time earned him particular acclaim for their expression of Brazilian musical styles, such as the choro, the modinha, and the valsas (waltzes) reminiscent of strolling serenaders.
• Fusion of funk carioca with pagode, the term also refers to parties where both genres are played, the origins of the subgenre can be traced back to the mid 90s, in 1997, the duo Claudinho & Buchecha released the song Fuzuê on the album A Forma, the song uses a cavaquinho, an instrument present in genres such as samba, choro and pagode, in the lyrics, the duo pays tribute to pagode artists.
• He is known for drawing on many musical genres, including choro, samba, baião, frevo, modinha, waltz, foxtrot, blues, classical music, and jazz.
• After recording the first album of Novos Baianos, Gomes deeply studied the rhythms of many kinds of Brazilian music including samba, frevo, choro, and maracatu; he also learned to play bandolim.
• Rádio MEC AM Rio de Janeiro (800 kHz) - Musical programming with MPB, choro, bossa nova and instrumental music.
• The venue Lapa 40 Graus, which recently opened on Rua do Riachuelo next to the traditional Democratic Club, offers space for dancing samba, choro, and gafieira.
• Brandão is a contributor to the educational book/CD "Inside the Brazilian Rhythm Section," by Nelson Faria/Cliff Korman - a guide for bassists, guitarists, pianists and drummers on the eight most dominant styles of Brazilian music: samba, bossa nova, partido alto, choro, baiao, frevo, marcha-rancho and afoxé.

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