Information om | Engelska ordet CHROMATICALLY

Exempel på hur man kan använda CHROMATICALLY i en mening

• Michalek was known for using the overblow technique, which is used to play chromatically on the diatonic harmonica.
• While various tunings are (and have been) used, the standard tuning for the gadulka is A-E-A for the three playing strings; the sympathetics (resonating strings) are tuned chromatically to cover all notes besides A and E (depending on the number of sympathetics).
• The tendency of the interval of the augmented sixth to resolve outwards is therefore explained by the fact that the A, being a dissonant note, a diminished fifth above the root (D), and flatted, must fall, whilst the F – being chromatically raised – must rise.
• The ninth is commonly chromatically altered by half-step either up or down to create more tension and dissonance.
• Following the third chorus, at 2:36 on the released recording, the bassline descends chromatically to mark the start of what musicologist Alan Pollack terms the "first outro" and Everett calls a "codetta".
• Coroner's music became more technical on No More Color as the guitar work was characterized by intricate modes and arpeggios, solo work that was chromatically colorful, as well as the de rigueur crunchy chords and speed runs; the drumming went beyond the 4/4 time of Coroner's two previous albums to incorporate unusual time signatures which became their trademark.
• Anaglyph 3D is the stereoscopic 3D effect achieved by means of encoding each eye's image using filters of different (usually chromatically opposite) colors, typically red and cyan.
• Since colors in most colorspaces can be transformed to the XYZ color space, only one additional transformation matrix is required for any color space to be adapted chromatically: to transform colors from the XYZ color space to the LMS color space.
• Between 2003 and 2004, Sherman produced the Clowns cycle, where the use of digital photography enabled her to create chromatically garish backdrops and montages of numerous characters.
• This soon unwinds into the "goat-like" theme in a chromatically altered F major in 9/8 that skips along, providing the picture of a dancing goat.
• A furious set of impetuous notes then climb chromatically, and it returns to the octaved Cs and the downward run.
• The third period, although it stays chromatically centered around E major, is a long sequence of diminished seventh and tritone intervals, littered with accidentals and irregular rhythms difficult to play.
• Blair Johnston claims that this movement is actually titled "Chord-Colors", that Schoenberg "removes all traditional motivic associations" from this piece, that it is generated from a single harmony: C–G–B–E–A (the Farben chord, shown below), found in a number of chromatically altered derivatives, and is scored for "a kaleidoscopically rotating array of instrumental colors".
• The unorthodox, chromatic harmonic structure of this movement is generated from a short progression that appears towards the end of the A section, leading to a plagal cadence in the subdominant key (D), chromatically colored with its own minor subdominant chord (G minor).
• It has approximately 13 raised wooden frets that are diatonically rather than equidistantly or chromatically spaced.
• Instead, one finds chromatic chords, polytonality, clusters, passing notes ascending or descending chromatically and a peculiar use of quartal harmonies or mirror chords combined with edgy rhythms.
• Art critic Nino del Prete wrote that Garff's pallette was the chromatically richest one possibly could imagine.
• The initial project included watercolor studies and fifteen drypoint etchings, and culminated in fifteen large, chromatically different mixed-media canvasses.
• The opening theme of the final movement traces a chromatically rising line, and the frequent up-beat accents lend a quirkiness to the rhythm.
• The subject's structure is similar to that of the theme of The Musical Offering, opening in triplet semiquavers moving diatonically then quavers moving chromatically.

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