Definition & Betydelse | Engelska ordet CLASSICISM

Definition av CLASSICISM

1. klassicism

Exempel på hur man kan använda CLASSICISM i en mening

• Some of his works have been described as "archaic" or "conservative"; others are considered exemplary of the grandiose classicism of High Renaissance art.
• In its most typical manifestations, Baroque art is characterized by great drama, rich, deep colour, and intense light and dark shadows, but the classicism of French Baroque painters like Poussin and Dutch genre painters such as Vermeer are also covered by the term, at least in English.
• During the early modern period, Eisenach was a residence of the Ernestine Wettins and was visited by numerous representatives of Weimar classicism like Johann Wolfgang Goethe.
• In 1503–1505, he was apprenticed to Francesco Bianchi Ferrara in Modena, where he probably became familiar with the classicism of artists like Lorenzo Costa and Francesco Francia, evidence of which can be found in his first works.
• Mentor is named after the Greek figure Mentor, in keeping with the Connecticut Western Reserve settlers' tradition, as well as that of most other Americans at the time, of celebrating aspects of Greek classicism (nearby Solon, Macedonia, Euclid, and Akron also were named using that principle).
• Although his works are traditionally considered literary classicism, his best verse is rich with antitheses and conflicting sounds in a way reminiscent of John Donne and other metaphysical poets.
• It is the moment at which the self-consciously sentimental theatrical project of Carlo Goldoni (the opera's librettist) is married with the developing musical language of classicism.
• The period of publication was sandwiched between the Victorian era, with its strict classicism, and Modernism, with its strident rejection of pure aestheticism.
• Later, Schinkel moved away from classicism altogether, embracing the Neo-Gothic in his Friedrichswerder Church (1824–1831).
• The revival of a style of architecture based on classical precedents inspired a corresponding classicism in painting and sculpture, which manifested itself as early as the 1420s in the paintings of Masaccio and Uccello.
• While in the Academy, German art was under the rule of a classicism, which was entirely intellectual and academic—clear and precise drawing, sculpturesque modelling, and pictorial erudition were esteemed above all.
• This re-emergence of classicism required artists to become more cultured, in order to competently transpose this reference to the visual arts.

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