Definition & Betydelse | Engelska ordet CONCURS

Definition av CONCURS

1. böjningsform av concur

Exempel på hur man kan använda CONCURS i en mening

• According to Joannes Zonaras, Quintillus opened his veins and bled himself to death; John of Antioch concurs, adding that the suicide was assisted by a physician.
• Chodas (1999) concurs with Marsden (1999) that based on the 1997 data alone there was about 1 chance in a hundred thousand that XF11 could have been on an Earth-impact trajectory—that is, until the 1990 precovery observations eliminated such possibilities.
• Initially a priest who serves in the court of King Noah, when a prophet named Abinadi preaches to the court Alma concurs with Abinadi and affirms that what the prophet said is true.
• Moonoogian concurs, calling it "a biting and scathing satire in the double-entendre genre" of 1950s rhythm and blues.
• Mining early and recent scholarship and the complete works, Hudson concurs that evidence of the couple's mutual respect is indeed evident in the plays and sonnets, along with support for the writer's infatuations and possibly adulterous relationships.
• Between these two conditions, there exists an optimal value of the noise that cooperatively concurs with the periodic forcing in order to make almost exactly one switch per period (a maximum in the signal-to-noise ratio).
• Tafsīr al-Jalālayn concurs with this reading, suggesting in reference to ayat 91-93 that the prophet's duty is only to warn; the powerful, imminent tone expressed supports the conclusion that the final point of the Sura is the focal point.
• In his dissent opinion, with which Justice Wiley Blount Rutledge concurs, Associate Justice Frank Murphy takes issue with the majority opinion's suggestion that there exist alternatives to the exclusionary rule.
• The North American Classification Committee of the American Ornithological Society concurs for the lineated and pileated woodpeckers, the only two of the six that occur in Central and North America.
• She concurs with Taddei that depictions of Aṅgulimāla, especially in Gandhāra, are in many ways reminiscent of dionysian themes in Greek art and mythology, and influence is highly likely.
• Paul Lawrence concurs, noting how - even with nationalisms still without states - historians "often sought to provide a historical basis for the claims to nationhood and political independence of states that did not yet exist".
• Historian Sudeshna Guha concurs, saying that Bryant does not probe into the epistemology of evidence and hence perceives the opposing viewpoints unproblematic.
• Kass concurs: “In Eastwood’s manner Siegel found the filmic mirror of himself, and the mythic anti-hero of the soiled American dream.
• Helen Rappaport concurs, remarking that "the best and most logical" explanation is that haemophilia first appeared in Victoria as a mutation.
• André Blanchet argues that the book's condemnation was not only due to Brémond's unconventional treatment of the relationship between Jane Frances de Chantal and Francis de Sales, but also because of his friendship with Tyrrell, and his portrayal of Fenelon's arch-critic Bishop Jacques-Bénigne Bossuet in Apologie pour Fénelon, an opinion in which Alastair Guinan concurs.
• While existing Sicilian legends overplay John of Procida's role in the dramatic politics of this time, Runciman concurs that he was at the centre of a "vast political conspiracy" in support of the House of Hohenstaufen (backed by the Byzantines and their Genoese allies) and against Charles of Anjou and his ally the Pope.
• Professor Eva von Dassow concurs with the presence of Indo-Aryan terms in Mitanni vocabulary, but cautiously advises against the notion of an "Indo-Aryan takeover".
• While he recognizes what Bankie F Bankie dubbed the "Afro Arab borderlands", Sudan and Mauritania that flank the Sahel countries, Chinweizu concurs with Williams on Islamization and Arabization in African societies undermining local religion and cultures.
• Barbara Hardy concurs, writing that the tulips are “inhabitants of the bizarre world of private irrational fantasy, even beyond the bridge of distorted science: they contrast with the whiteness of nullity and death, are like a baby, an African cat, is like her wound (a real red physical wound, stitched to heal, not to gape like opened tulips) and, finally, like her heart;” yet they, more than anything else, are what brings her back to life.
• Gittens likewise concurs that the contrast with "warmth and gravitas" of the "humane backing" deepens the impression of the song's I-persona as being unstable.

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