Anagram & Information om | Engelska ordet CONGAS

Exempel på hur man kan använda CONGAS i en mening

• Its sound featured his melodic, blues-based lines set against Latin American and African rhythms played on percussion instruments not generally heard in rock, such as timbales and congas.
• Scott-Heron first recorded it for his 1970 album Small Talk at 125th and Lenox, on which he recited the lyrics, accompanied by congas and bongo drums.
• Naná Vasconcelos – percussion (2, 10, 12), gourd (3, 5, 8, 9), voice (3), berimbau (8), congas and triangle (9).
• Tjader played the vibraphone primarily, and was accomplished on the drums, bongos, congas, timbales, and the piano.
• Bongos are mainly employed in the rhythm section of son cubano and salsa ensembles, often alongside other drums such as the larger congas and the stick-struck timbales.
• In 1981, the line-up became Bailey, Dodd, Roog, Bell and two new members: former band roadie Joe Leeway on congas and percussion, and Jane Shorter on saxophone.
• This drum machine had eight different drum sounds: kick drum, snare, hi-hat, cabasa, tambourine, two tom toms, two congas, cowbell, clave, and handclaps.
• Featuring a slow stoner rock cover of The Ramones's "Beat on the Brat" and a fifteen-minute version of Miles Davis's "Bitches Brew" with electric piano and congas, the album was well received.
• on vibes, timpani, orchestra bells, chimes, percussion, arrangements and conductor, and Larry Washington on congas and bongos, Harold Ivory Williams on keyboards, plus Leon Huff and Thom Bell on keyboards and Don Renaldo on strings and horns featuring Rocco Bene on trumpet.
• Two part-timers joined them for some gigs: Jeff Whittaker (congas and vocals) was a regular at Les Jeux Interdits (below), and Marilyn Minns (vocals) sang Françoise Hardy and Marianne Faithfull songs at parties.
• " The Bay State Banner noted that "the Wailers take freely from Gamble & Huff's chords, Euro-disco's burping bass, and pop-soul ballads' blithe strings and synthesizers, but they funk up and condense these styles and use reggae's chicken scratch and snap-on drumming as disco employs congas: for a counter-voice to handle the unspeakable passions in a song.
• Graham Broad – drums (4), drums with brushes (11), jingle stick (1), castanets (1), maracas (1), bongos (1), hi-hat (2, 5), cowbell (4), congas (5), shaker (5), tom-tom (11), tambourine (1, 11).
• ;Scoring for Songs of Sanctuary: recorder, 8 percussion, 4 tom-toms, congas, cymbals, claves, floor tom, bass drum, mark tree, bass bell in C, cabasa, wood block, triangle, strings.
• Sue Hadjopoulos – congas, bongos, timbales, orchestral bells, xylophone, miscellaneous percussion, flute, vocals.
• Russ Kunkel – drums (1–7, 9–12), congas (1, 2, 6, 11), cowbell (1), cymbal (1), cabasa (2), tambourine (9).
• Russ Kunkel – drums (tracks 2–7, 10–12); congas (tracks 6–7); cabasa (track 6); tambourine (track 9); shaker (track 10).
• Steve Forman – tambourine (2), timbales (2), Mazda phone (5), cowbell (7), congas (8), waterphone (8).
• Zahir attended Habibia High School in Kabul and formed "the amateur band of Habibia High School" including Omar Sultan on guitar, Farid Zaland on congas, and Akbar Nayab on piano.
• Throughout his life, he had a chance to meet and work with some of them, and learned how to make his own congas and pleneras, the handheld drums used in bomba y plena music.
• Eddie Guzman – congas on "Road Angel", "You Just Can't Stop It" and "Daughters of the Sea", timbales on "Daughters of the Sea", and various other percussion instruments.

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