Anagram & Information om | Engelska ordet CROOKE


CROOKE

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6

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23

110
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Exempel på hur man kan använda CROOKE i en mening

  • Owners Brian and Marjorie Johnstone created a focal point of Brisbane's cultural and social life, with their Sunday exhibition openings featuring leading Australian artists such as Sir Sidney Nolan, Robert Dickerson, Lawrence Daws, Margaret Olley, Charles Blackman, Ray Crooke, Arthur Boyd, Donald Friend, Laurence Hope.
  • In his book The Stolen Village, Des Ekin theorizes that Sir Walter Coppinger, a wealthy Recusant lawyer and moneylender of Hiberno-Norse descent from Cork — who had become the main landowner in the area after the death of Sir Thomas Crooke, 1st Baronet, the founder of the English colony — secretly bribed the Barbary pirates to attack the village in collaboration with the derbhfine of deceased Irish clan chief, Sir Fineen O'Driscoll.
  • Demand for coal mining during the Industrial Revolution led to an intensification of mining with coal from many local pits transported via the River Douglas at Gathurst when the river was made navigable in 1742 but replaced from the 1780s by the Leeds and Liverpool Canal when much of the coal was loaded on to barges at Crooke.
  • Scorchers is a 1991 ensemble drama written and directed by David Beaird with a cast of Faye Dunaway, James Earl Jones, Denholm Elliott, Leland Crooke and Emily Lloyd.
  • Artists exhibiting were Sydney Ball, Jennifer Barwell, Henry Bastin, Charles Blackman, Arthur Boyd, John Brack, Donald Brook, Mike Brown, Judy Cassab, Peter Clarke, John Coburn, Martin Collocott, Jack Courier, Ray Crooke, Robert Dickerson, Russell Drysdale, Peggy Fauser, Maximilian Feuerring, John Firth-Smith, William Frater, Peter Freeman, Leonard French, Donald Friend, Marjorie Gillespie, James Gleeson, Thomas Gleghorn, Anne Hall, Pro Hart, Elaine Haxton, John Henshaw, Daryl Hill, Ludwig Hirschfeld-Mack, Leonard Hessing, Perle Hessing, Robert Hughes, Robert Klippel, Michael Kmit, Colin Lanceley, Richard Larter, Francis Lymburner, Elwyn Lynn, Mary MacQueen, Marsha Morgan, Sydney Nolan, Alan Oldfield, John Olsen, Stan Ostoja-Kotkowski, William Peascod, John Perceval, Carl Plate, Peter Powditch, Clifton Pugh, Emanuel Raft, Stanislaus Rapotec, Charles Reddington, Stephen Reed, John Rigby, Jan Riske, William Rose, Rosemary Ryan, Gareth Sansom, Michael Shannon, Imre Szigeti, Michael Taylor, Stan De Teliga, Peter Upward, David Warren, Guy Warren, Richard Weight, Robert Williams, Les Willis, Ken Whisson, Peter Wright.
  • It has published works by Karl Marx, Mark "Chopper" Read, Frantz Fanon, Noam Chomsky, bell hooks, Edward Said, Augusto Boal, Vandana Shiva, Susan George, Ilan Pappé, Nick Robins, Raya Dunayevskaya, Graham Turner, Alastair Crooke, Gabriel Kolko, Hamid Dabashi, Tommy McKearney, Amal Saad-Ghorayeb, Syed Saleem Shahzad, David Cronin, John Holloway, Euclid Tsakalotos, David Miller and Jonathan Cook.
  • Edward Jolley Crooke, owner of 'The Holey Plain', represented the district in the Legislative Council of Victoria for 30 years (1893–1922) and was a Rosedale Shire councillor for 46 years.
  • Allot died in 1635; in the 1637–39 period, the rights to Jonson's works were involved in a complex legal dispute between Philip Chetwinde, the second husband of Allot's widow, and stationers Andrew Crooke and John Legatt.
  • The play was first printed in an octavo volume issued by the bookseller John Crooke, containing both The Contention and another play by Shirley, Honoria and Mammon.
  • 's Fables of the Reconstruction, John Crooke was inspired to form a band with his cousin Dave Burris, and two long-time friends, Mike Kennerly and Mike Mitschele.
  • Her first job is driving a high, oversexed and hungover British punk rock singer named Cat Fight (Leland Crooke) to his concert.
  • The Weeding of Covent Garden was first published in the 1659 octavo volume Five New Plays, a collection of Brome's dramas issued by the booksellers Andrew Crooke and Henry Brome.
  • The State Library has also produced a series of digital stories and oral histories with many of the artists and gallery owners who were associated with the Johnstone Gallery - John White, Philip Bacon, Victor Mace and artists Nevil Matthews, Margaret Olley, Laurence Daws, Ray Crooke, Roy Churcher, Betty Churcher, Robert Dickerson and Max Hurley.
  • In 1659, Crooke partnered with stationer Henry Brome (his shop was at the sign of the Gun in Ivy Lane) to issue a volume of Richard Brome's dramas called Five New Plays; the collection contained The English Moor, The Lovesick Court, The Weeding of Covent Garden, The New Academy, and The Queen and Concubine.
  • Whereas Crooke was among those who believed caste to be defined by occupation, that someone was born into a community that traditionally performed work such as cow-herding or barbering, Herbert Hope Risley believed that there was a racial definition and went to considerable lengths to collect anthropometric data to support his position.
  • The departure of guitarist Sam Sterrett in September 2010 and Ben Crooke in February 2011, left the remaining 3 members, (Kris Dimitroff, Rob Stephens and Trent Dhue) to complete the album and play all the instruments.
  • In 1904 William Crooke suggested that Christian rosaries had originated in India and arrived in Western Europe during the Crusades via its Muslim version, the tasbih.
  • Some of the Australian artists featured in the collection include, Eugene von Guerard, John Glover, Richard Godfrey Rivers, Fred Williams, Ray Crooke, Russell Drysdale, Charles Conder, Ethel Carrick, Sam Fullbrook, Vida Lahey, Sidney Nolan, Rupert Bunny, Louis Buvelot, William Bustard, Bessie Gibson, John Russell, William Dobell, Ian Fairweather, John Perceval, Arthur Boyd, E.
  • This laid the foundation for building Australia’s leading art dealership over the last 40 years, representing, exhibiting or dealing the works of the nation’s most significant artists from the past and the present, including Charles Blackman, Ray Crooke, Lawrence Daws, Robert Dickerson, Ian Fairweather, Michael Kmit, Margaret Olley, John Olsen, William Robinson, Jeffrey Smart, Brett Whitely, and Fred Williams.
  • Artists exhibiting were Sydney Ball, Jennifer Barwell, Henry Bastin, Charles Blackman, Arthur Boyd, John Brack, Donald Brook, Mike Brown, Judy Cassab, Peter Clarke, John Coburn, Martin Collocott, Jack Courier, Ray Crooke, Janet Dawson, Robert Dickerson, Russell Drysdale, Peggy Fauser, Maximilian Feuerring, John Firth-Smith, William Frater, Peter Freeman, Leonard French, Donald Friend, Marjorie Gillespie, James Gleeson, Thomas Gleghorn, Anne Hall, Pro Hart, Elaine Haxton, John Henshaw, Daryl Hill, Ludwig Hirschfeld-Mack, Leonard Hessing, Perle Hessing, Robert Hughes, Robert Klippel, Michael Kmit, Colin Lanceley, Richard Larter, Francis Lymburner, Elwyn Lynn, Mary MacQueen, Marsha Morgan, Sydney Nolan, Alan Oldfield, John Olsen, Stan Ostoja-Kotkowski, William Peascod, John Perceval, Carl Plate, Peter Powditch, Clifton Pugh, Emanuel Raft, Stanislaus Rapotec, Charles Reddington, Stephen Reed, John Rigby, Jan Riske, William Rose, Rosemary Ryan, Gareth Sansom, Michael Shannon, Imre Szigeti, Michael Taylor, Stan De Teliga, Peter Upward, David Warren, Guy Warren, Richard Weight, Robert Williams, Les Willis, Ken Whisson, Peter Wright.


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