Anagram & Information om | Engelska ordet DIATONIC

Exempel på hur man kan använda DIATONIC i en mening

• In music theory, a diatonic scale is any heptatonic scale that includes five whole steps (whole tones) and two half steps (semitones) in each octave, in which the two half steps are separated from each other by either two or three whole steps, depending on their position in the scale.
• The many types of harmonica include diatonic, chromatic, tremolo, octave, orchestral, and bass versions.
• The name "meantone temperament" derives from the fact that in all such temperaments the size of the whole tone, within the diatonic scale, is somewhere between the major and minor tones (9:8 and 10:9 respectively) of just intonation, which differ from each other by a syntonic comma.
• Each bar is an idiophone tuned to a pitch of a musical scale, whether pentatonic or heptatonic in the case of many African and Asian instruments, diatonic in many western children's instruments, or chromatic for orchestral use.
• Narrowly defined, each of these whole tones must be a step in the scale, so by this definition, within a diatonic scale there is only one tritone for each octave.
• As a diatonic function, the leading tone is the seventh scale degree of any diatonic scale when the distance between it and the tonic is a single semitone.
• An altered chord is a chord that replaces one or more notes from the diatonic scale with a neighboring pitch from the chromatic scale.
• On this plunger are marked the notes of either the chromatic scale or the diatonic scale, and by setting it to the correct position, the indicated note will be produced when the instrument is blown.
• This means they can play a fixed diatonic scale (or an approximately tuned version of it), but not the full chromatic scale, or diatonic scales in other keys.
• The diatonic harmonization of any major scale results in three major triads, which are based on the first, fourth, and fifth scale degrees.
• Some jazz scales, such as the eight-note bebop scales, add additional chromatic passing tones to the familiar seven-note diatonic scales.
• Where an altered chord is used as a pivot chord in either the old or new key (or both), this would be referred to as altered common chord modulation, in order to distinguish the chromaticism that would be introduced from the otherwise diatonic method.
• Starting at the bottom and (in the Galician fingering pattern) progressively opening holes creates the diatonic scale.
• Because the Cajun accordion is a diatonic instrument (do-re-mi or natural major scale) it can only play tunes in a few keys.
• Michalek was known for using the overblow technique, which is used to play chromatically on the diatonic harmonica.
• The interval 3:1 (often called by a new name, tritave) serves as the fundamental harmonic ratio, replacing the diatonic scale's 2:1 (the octave) with a perfect twelfth (an octave higher than a perfect fifth).
• Andean tritonic and pentatonic scales were elaborated during the colonial period into hexatonic, and in some cases, diatonic scales.
• The major second was historically considered one of the most dissonant intervals of the diatonic scale, although much 20th-century music saw it reimagined as a consonance.
• These are enharmonically equivalent if and only if twelve-tone equal temperament is used; for example, they are not the same thing in meantone temperament, where the diatonic semitone is distinguished from and larger than the chromatic semitone (augmented unison), or in Pythagorean tuning, where the diatonic semitone is smaller instead.
• If we consider the chromatic scale, new sounds are obtained by lowering or raising the seven diatonic notes by a semitone by means of flats (♭) and sharps (♯).

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