Anagram & Information om | Engelska ordet ENAMELS

Exempel på hur man kan använda ENAMELS i en mening

• Abbot Wibald (ruled 1130–58) was one of the greatest patrons of the arts in the 12th century; the Stavelot Triptych of gilded copper and enamels, which contained two fragments of the True Cross, was produced for the Abbey during his rule (about 1156).
• These shrines were models of imaginary buildings, such as had never in reality been erected; and my idea was to realise one of these imaginary structures with its precious materials, its inlaying, its enamels, etc.
• At DuPont he also was responsible for the development of Duco lacquers and enamels, the first practical colored paints for mass-produced automobiles.
• Essentially the same technique used with other bases is known by different terms: on glass as enamelled glass, or "painted glass", and on pottery it is called overglaze decoration, "overglaze enamels" or "enamelling".
• By the main entrance in the old Rolfe Street Baths from Smethwick (1888) are displays of local artefacts encompassing some of the many products which were made by Black Country industry, cast iron hollow ware, animal traps, vehicles, chain, anchors, enamels, weighing scales, laundry irons, nails, locks and fire clay products.
• There are daggers, horse saddles, Fantasia rifles, anklets, pendants that women attach to their chests or foreheads all decorated with semi-precious stones and enamels.
• Starting in 1882, Clara Jessup Moore donated a remarkable collection of antique furniture, enamels, carved ivory, jewelry, metalwork, glass, ceramics, books, textiles and paintings.
• As a museum the Wallace Collection's main strength is 18th-century French art: paintings, furniture, porcelain, sculpture and gold snuffboxes and 16th- to 19th-century paintings by such as Titian, Van Dyck, Rembrandt, Hals, Velázquez, Gainsborough and Delacroix, a collection of arms and armour and medieval and Renaissance objects including Limoges enamels, maiolica, glass and bronzes.
• Lead also increases the solubility of tin, copper, and antimony, leading to its use in colored enamels and glazes.
• The so-called "minor arts" were very important in Byzantine art and luxury items, including ivories carved in relief as formal presentation Consular diptychs or caskets such as the Veroli casket, hardstone carvings, enamels, glass, jewelry, metalwork, and figured silks were produced in large quantities throughout the Byzantine era, many continuing and adapting late Roman artistic practice though Byzantine silk production only began after they imported silkworms from China in the late sixth century.
• It was planned as a high-end luxury hotel, designed in the French Renaissance architecture style, and constructed with "the best in every line" of paints, enamels, woodwork, and wood finishes, and named after the 17th-century French explorer, ranger and furrier Pierre-Esprit Radisson.
• For paints that require specific chemical thinners, such as enamels, lacquers, and oils, synthetic fiber brushes are often recommended for longer life as the thinners can cause natural fibers to deteriorate over time, although natural bristle brushes are often used for finer details.
• It was followed by development of laser glass, infra-red transmitting filters, synthetic quartz single crystal, high temperature protective enamels, high alumina ceramic seals and spacers, work in the field of optical fibre for telecommunications, sol-gel processing of glass and ceramic materials, production of glass fibre-based composites and application of ceramic materials in electronics.
• The so-called "minor arts" were very important in Byzantine art, and luxury items, including ivories carved in relief as formal presentation Consular diptychs or caskets such as the Veroli casket, hardstone carvings, enamels, glass, jewelry, metalwork, and figured silks were produced in large quantities throughout the Byzantine era.
• She brought to the collection an incomparable assembly of Renaissance enamels and Russian artefacts, including works by Peter Carl Fabergé, the Russian Imperial court jeweller.
• By 2009 the gallery's collection consisted of about 12,000 artefacts: oil paintings and works on paper from the 17th to the 20th centuries; collection of Eastern objects of applied art; japanned ware; enamels; ceramics and glass; dolls and toys; and local history.
• The collection also contains an eclectic mix of decorative art with many pieces by acknowledged masters, including Renaissance jewellery, medieval, Byzantine and Renaissance ivories, enamels, bronzes, Italian maiolica, tapestries, furniture and Sèvres porcelain, as well as a life size marble sculpture by Bergonzoli of an angel kissing a semi-nude woman entitled "The Love of Angels".
• In this century a number of experiments were made combining underglaze blue and other colours, both underglaze and overglaze enamels.
• The famille verte enamels may be painted on the biscuit (unglazed pre-fired ware) with no underglaze blue, or over high-fired glaze, producing wares of different appearances.
• The gradation of colours was produced by mixing coloured enamels with 'glassy white' (玻璃白, boli bai), an opaque white enamel (lead arsenate).

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