Information om | Engelska ordet ENKIDU

Exempel på hur man kan använda ENKIDU i en mening

• The earliest of these is likely "Gilgamesh, Enkidu, and the Netherworld", in which Gilgamesh comes to the aid of the goddess Inanna and drives away the creatures infesting her huluppu tree.
• Dreams were also sometimes seen as a means of seeing into other worlds In Tablet VII of the epic, Enkidu recounts to Gilgamesh a dream in which he saw the gods Anu, Enlil, and Shamash condemn him to death.
• The first half of the story discusses Gilgamesh (who was king of Uruk) and Enkidu, a wild man created by the gods to stop Gilgamesh from oppressing the people of Uruk.
• One of the earliest recorded examples of a sidekick may be Enkidu, who played a sidekick role to Gilgamesh after they became allies in the Epic of Gilgamesh.
• He is sometimes considered as an Israelite version of the popular Near Eastern folk hero also embodied by the Sumerian Gilgamesh and Enkidu, as well as the Greek Heracles.
• He is invariably portrayed as the inhabitant or guardian of the cedar forest, to which Gilgamesh ventures with his companion Enkidu.
• The Sumerian Epic of Gilgamesh depicts the horrors of the rage-fueled deployment of the Bull of Heaven by Ishtar and its slaughter by Gilgamesh and Enkidu as an act of defiance that seals their fates:.
• His version includes Utnapishtim's story of the Flood in tablet XI and, in tablet XII, the Sumerian Gilgamesh, Enkidu, and the Netherworld.
• In Tablet VII of the epic, Enkidu recounts to Gilgamesh a dream in which he saw the gods Anu, Enlil, and Shamash condemn him to death.
• In the epic, Enkidu is created as a rival to king Gilgamesh, who tyrannizes his people, but they become friends and together slay the monster Humbaba and the Bull of Heaven; because of this, Enkidu is punished and dies, representing the mighty hero who dies early.
• As there is no indication that Ninsun was ever envisioned as a mortal woman, rather than a goddess, references to deceased mother of Gilgamesh present in the text Gilgamesh, Enkidu, and the Netherworld most likely refer to an unrelated tradition regarding the hero's origin.
• She is used by the Hunter to use her attractiveness to tempt Enkidu from the wild, and his 'wildness', civilizing him through continued sacred love-making.
• David Halperin in One Hundred Years of Homosexuality (and in other works) compares Achilles and Patroclus to the traditions of Jonathan and David, and Gilgamesh and Enkidu, which are approximately contemporary with the Iliad's composition.
• In his 1947 existentialist novel Die Stadt hinter dem Strom, the German novelist Hermann Kasack adapted elements of the epic into a metaphor for the aftermath of the destruction of World War II in Germany, portraying the bombed-out city of Hamburg as resembling the frightening Underworld seen by Enkidu in his dream.
• Academics have interpreted Samson as a demigod (such as Heracles or Enkidu) enfolded into Jewish religious lore, or as an archetypical folk hero.
• In The Singer of Tales (1960), Lord presents likenesses between the tragedies of the Achaean Patroclus in the Iliad and the Sumerian Enkidu in the Epic of Gilgamesh and claims to refute, with "careful analysis of the repetition of thematic patterns", that the Patroclus storyline upsets Homer's established compositional formulae of "wrath, bride-stealing, and rescue"; thus, stock-phrase reiteration does not restrict his originality in fitting story to rhyme.
• Ecstatic, Enkidu begins to mount the table, which sets off Gilgamesh's trap, flinging him onto the high-tension wires.
• Other Sumerian texts also contain cosmogonical prologues, like Gilgamesh, Enkidu, and the Netherworld.

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