Anagram & Information om | Engelska ordet FARSA

Exempel på hur man kan använda FARSA i en mening

• It was the basis for Hugo Wolf's opera Der Corregidor (1897); for Riccardo Zandonai's opera La farsa amorosa (1933); and Manuel de Falla's ballet The Three-Cornered Hat (1919).
• After graduation he continued writing plays, although they had much less success; in 1959 he wrote the comedies El viaje superficial and Pájaro en mano; in 1960 he wrote La conspiración vendida per Salvador Novo's request (even though it never premiered, Ibargüengoitia sent it to a literary contest under a pseudonym and won Mexico City's Prize), Los buenos manejos, La fuga de Nicanor, La farsa del valiente Nicolás and Rigoberto entre las ranas, and from 1961 is El amor de Sarita y el profesor Rocafuerte.
• Il signor Bruschino, ossia Il figlio per azzardo (Signor Bruschino, or The Accidental Son) is a one act operatic farce (farsa giocosa per musica) by Gioachino Rossini to a libretto by Giuseppe Maria Foppa, based upon the 1809 play Le fils par hasard, ou ruse et folie by René de Chazet and Maurice Ourry.
• L’occasione fa il ladro, ossia Il cambio della valigia (English: Opportunity Makes a Thief, or The Exchanged Suitcase) is an opera (burletta per musica or farsa) in one act by Gioachino Rossini to an Italian libretto by Luigi Prividali, based on Le prétendu par hasard, ou L’occasion fait le larron, an 1810 vaudeville by Eugène Scribe.
• In 1931, De Paolis created the role of Monsieur Le Beau in Ermanno Wolf-Ferrari's opera La vedova scaltra; in 1933 that of Frulla in Riccardo Zandonai's opera La farsa amorosa; and in 1936 and that of Christian in Franco Alfano's Cyrano de Bergerac.
• Formerly, in the sung portions of the Mass, such as the introit or kyrie, it was permissible, especially during the medieval period, to amplify a liturgical formula by interpolating a "farse" (from Medieval Latin farsa, forcemeat), also called "trope".
• Die wundersame Schustersfrau (The Wondrous Cobbler's Wife) is an opera in two acts by Udo Zimmermann, with a libretto which he wrote with Eberhard Schmidt based on the 1930 Spanish play La zapatera prodigiosa, a farsa violenta by Federico García Lorca, in the translation by Enrique Beck.

Förberedelsen av sidan tog: 254,12 ms.