Definition, Betydelse & Synonymer | Engelska ordet FERMATA

Definition av FERMATA

1. (musik) fermat

Exempel på hur man kan använda FERMATA i en mening

• In addition to memorizing the music (between six and nine minutes of music is typical for high school marching bands, college bands and drum corps may have that much or more, up to more than eleven minutes of music) a drum major must memorize dynamics as well as tempo in order to provide proper direction and cues, particularly in area where the drum major has some discretion, such as a ritardando or fermata.
• Andante — Allegretto: The piece opens with the Andante, which includes a cadenza styled passage after the fermata.
• Among the TV shows supported by Maria de Filippi and Fascino PGT's productions, there are: Amici, Uomini e donne, C'è posta per te, Italia's Got Talent, Coca-Cola Summer Festival, Temptation Island, Tú sí que vales, Pequeños gigantes, Maurizio Costanzo Show, L'intervista, Selfie – Le cose cambiano, House Party e Ultima fermata.
• The second movement is the most recognizable piece of the score: directly after the first movement's fermata, a lone first violin launches directly into a series of discordant, screechy glissandos before being joined by the rest of the string section.
• The waltz returns to E major, the key that started the set, and ends with a descending melodic line, a decrescendo, ritardando, and a fermata, all things that unmistakably signify an ending.
• After a short rest, the second line of the text is presented in similar building, this time in the sequence from inside out: alto, soprano II and tenor together, soprano I and bass almost together, all arriving in measure 50 in homophony on the last word "mecum", which marks the end of the biblical text and is followed by a long rest with a fermata.
• In both B sections Bach adds unexpected features: in the first movement what should be the last ritornello is interrupted by a brief perfidia episode building up to the true concluding ritornello; similarly in the last movement, after five bars of orchestral ritornello marking the beginning of the A′ section, the thematic material of the harpsichord introduces a freely developed 37-bar highly virtuosic episode culminating in a fermata (for an extemporised cadenza) before the concluding 12 bar ritornello.
• Silences are important, Widmann notates them as a breath mark, a breath mark with a fermata, and an actual rest.
• Hess points out the influence Durand's Waltz in E-flat major has on Respighi's waltz: both pieces start with an ornate introduction on the dominant, with Durand employing a ritardando leading to the A section while Respighi uses a fermata following a rallentando, and both pieces mark the first beat of each measure.

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