Information om | Engelska ordet FORZA

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• November 15 – Rosa Ponselle makes her Metropolitan Opera début as Leonora in Verdi's La forza del destino, opposite Enrico Caruso.
• He also made arrangements of a number of other composers' work for violin, and composed sets of variations on "potpourris" drawn from operas familiar to his audiences, such as his Fantasia on La forza del destino (his Opus 1), his "Souvenirs de Faust", or his variations on themes from Die Zauberflöte.
• Although Otello was his best role, throughout his career, Del Monaco sang a number of other roles with great acclaim, for example: Canio in Pagliacci (Leoncavallo), Radames in Aida (Verdi), Don Jose in Carmen (Bizet), Chenier in Andrea Chénier (Giordano), Manrico in Il trovatore (Verdi), Samson in Samson and Delilah (Saint-Saëns), and Don Alvaro in La forza del destino (Verdi).
• He was lauded for his performances of such established parts as Manrico in Il trovatore, Don Alvaro in La forza del destino, the title roles in Ernani and Poliuto, Arnold in Guillaume Tell, John of Leyden in Le prophète, Raoul in Les Huguenots, Vasco in L'Africaine, Robert in Robert le diable and Eleazar in La Juive.
• During this time he conducted operas including Jenůfa, From the House of the Dead, I due Foscari, Salome, Fidelio, Mary Stuart, Káťa Kabanová, Peter Grimes, Tristan und Isolde, La forza del destino, The Jacobin, La traviata, Il trovatore, the world première of James MacMillan's Inês de Castro (a revival of which was broadcast by BBC television), The Cunning Little Vixen, Turandot, Hansel and Gretel, La bohème, The Queen of Spades, Dalibor, Der Rosenkavalier, Macbeth, Parsifal, Don Giovanni, Erwartung, Bluebeard's Castle and The Knot Garden.
• From the early 1970s into the 1980s, Freni sang heavier Verdi roles, including Elisabetta in John Dexter's production of Don Carlos, Desdemona in Otello (alongside Jon Vickers), Amelia in Simon Boccanegra, Elvira in the Luca Ronconi staging of Ernani, Leonora in La forza del destino, and the title role of Aida performed in the Houston Grand Opera in 1987.
• Later roles at the Metropolitan Opera included Leonora in both Il trovatore and La forza del destino and Bess in Gershwin's Porgy and Bess.
• Rosa Ponselle made her debut at the Metropolitan Opera on November 15, 1918, just a few days after World War I had ended, as Leonora in Verdi's La forza del destino, opposite Caruso and Giuseppe De Luca.
• Other notable roles in her career included the title role in Aida, Santuzza in Cavalleria rusticana, Maddalena in Andrea Chénier, and Leonora in Il trovatore (all in New York), and also Violetta in La traviata and Leonora in La forza del destino (in Chicago and Buenos Aires).
• As they possess both a lyric and a dramatic quality, spinto sopranos are suitable for a broad spectrum of roles, ranging from genuine lyric parts such as Micaela in Carmen and Mimì in La bohème through to histrionically demanding Verdi heroines such as Leonora (in Il trovatore and La forza del destino) and Aida, not to mention Puccini's Madama Butterfly and Tosca.
• Leonora, heroine of the opera La forza del destino, the 1862 opera by Giuseppe Verdi based on the 1835 drama Don Álvaro o la fuerza del sino by Ángel de Saavedra, 3rd Duke of Rivas.

Förberedelsen av sidan tog: 331,31 ms.