Information om | Engelska ordet FREELANCED

Exempel på hur man kan använda FREELANCED i en mening

• Wood usually inked over Harrison's layouts, and the two freelanced for several publishers and genres, including westerns and horror comics.
• In the 1980s, Coggiola freelanced for car manufacturers, sometimes executing third-party designs, such as Trevor Fiores' design of the concept car Citroën Karin, the Lamborghini Portofino or prototypes of the Renault Mégane.
• After graduation he freelanced as a sportswriter for Sports Illustrated, GEO, and The Philadelphia Inquirer, and covered Olympic sports events in Europeincluding track and field and lugepaying his own way for travel, and selling articles once he was there.
• In addition to performing their own material, the Psycho Sisters freelanced as backing singers (Steve Wynn's Fluorescent, Giant Sand's Center of the Universe), and Peterson has contributed harmony vocals to recordings by the Hoodoo Gurus, John Doe, Tom Petty and Belinda Carlisle.
• He briefly freelanced some Hulk stories in Marvel Comics' Tales to Astonish, first under the pseudonym Scott Edward and then in his own name, defying the practice in which DC artists moonlighting at Marvel used pseudonyms.
• Previously, she freelanced and worked as an editor in Istanbul, a stringer for Reuters in Barcelona, a senior financial writer at The Industry Standard in New York, bureau chief for Dow Jones Newswires in Amsterdam and Hanoi and a writer for many other publications.
• Between 1952 and 1954 he freelanced with the PIX Publishing agency in Manhattan on an introduction from Ed Feingersh, and from 1954 at Brackman Associates.
• Turning out jacket designs at an average of 75 covers a year, Kidd has freelanced for Amazon, Doubleday, Farrar Straus & Giroux, Grove Press, HarperCollins, Penguin/Putnam, Scribner and Columbia University Press, in addition to his work for Knopf.
• After Fawcett discontinued their line of comic books, Costanza freelanced for Gilberton's Classics Illustrated, adapting literary classics and historic events into single-issue comic-book narratives, as well as for Charlton Comics, the American Comics Group (ACG), for which he was widely known for his work on "Magicman" and "Forbidden Worlds," and the Standard/Nedor/Better umbrella of comics company.
• Revell, for whom he then freelanced a comic-book adaptation of David Wilkerson's The Cross and the Switchblade in 1972, quickly followed by adaptations of God's Smuggler by the pseudonymous Brother Andrew and The Hiding Place by Corrie ten Boom.
• Relocating to New York City, he freelanced briefly until joining Neal Adams' commercial art company and comic book packager Continuity Studios and was a member of the Crusty Bunkers.
• During an Atlas retrenchment in the late 1950s, Colletta freelanced as a penciler on the DC Comics romance titles Falling in Love, Girls' Love Stories, and Heart Throbs, and Charlton Comics' Love Diary and Teen Confessions.
• Rocco contributed to Ebony Song Parade and freelanced for Fort Worth's Sepia magazine, and the book collects many of his previously unpublished 1950s and 1960s images, including shots of Ruth Brown, Esquerita, Roy Orbison and the Treniers.
• In 1992 that failed through lack of funds and Prudhomme freelanced for a year before joining the news channel, LCI.
• Most recently, under his 'Ian Ravendale' byline Penman freelanced for a variety of music magazines including Classic Rock, AOR, The Word Vive Le Rock, Iron Fist, Fireworks, Record Collector, Classic Pop, Vinyl Guru, R&R Life, The Sunderland Post and American Songwriter, among others.
• While a student, Salzedo freelanced as second harpist in the Orchestre Lamoureux as well as the orchestras of the Olympia theater and the Folies Bergère.
• After leaving WBZ, Neumeier freelanced as a college hockey announcer for FSN New England, a panelist on WSBK-TV’s "5th Quarter" Patriots postgame show, and as a Sunday morning co-host on WEEI during the baseball season.
• He also freelanced in ghosted strips and animation, continuing to refine his artwork, and contributed to Boy Magazine and the satirical Whack.
• He then freelanced with many of the top Latin ensembles of the time well into the 1950s, working with Polito Galíndez, Marcelino Guerra, Pupi Campo, and Julio Andino.
• Active in the world of dog rescue, Schulz freelanced for Animal Balance to document the destruction of natural heritage on the Galapagos Islands by cats and dogs and to advocate for spaying and neutering.

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