Anagram & Information om | Engelska ordet GABLER

Exempel på hur man kan använda GABLER i en mening

• His major works include Brand, Peer Gynt, Emperor and Galilean, A Doll's House, Ghosts, An Enemy of the People, The Wild Duck, Rosmersholm, Hedda Gabler, The Master Builder, and When We Dead Awaken.
• Mel and Norma Gabler, launched a critique of public school textbooks from their kitchen table in Hawkins.
• Hedda is a 1975 film adaptation of Henrik Ibsen's 1891 play Hedda Gabler, written for the screen and directed by Trevor Nunn, and starring Glenda Jackson, Timothy West, Peter Eyre, Patrick Stewart (in his screen debut), and Jennie Linden.
• Gabler is widely considered to be the father of modern biblical theology because of his 1787 inaugural address at University of Altdorf: On the Correct Distinction Between Dogmatic and Biblical Theology and the Right Definition of Their Goals.
• Other performances included roles in The Joy of Living (1902), Pelléas et Mélisande (1904; as Melisande to the Pelleas of her friend Sarah Bernhardt), Hedda Gabler (1907), Electra, The Thunderbolt (both 1908), and Bella Donna (1911).
• Carter-Lewis and the Southerners – "Skinny Minnie" (Arrett "Rusty" Keefer, Bill Haley, Catherine Cafra, Milton Gabler).
• One day while at Leeds Publishing Company in search of a song called "Should I" that their mother had asked them to sing, Milt Gabler of Decca Records overheard them singing it and asked them to cut a few sides for Decca Records, just before the AFM recording ban which James Petrillo imposed in January 1948.
• On stage, Chris has played a variety of roles in pantomimes across the country, as well as Edgar Linton in Wuthering Heights, Eilert Loevborg in Hedda Gabler, and Young Syrian in Salomé.
• When Holiday's producer John Hammond also refused to record it, she turned to her friend Milt Gabler, owner of the Commodore label.
• A 2007 article in The Independent remarked that it was "one of the mysteries of British life that Fenella Fielding, whose wit and distinctive stage presence captivated figures such as Kenneth Tynan, Noël Coward and Federico Fellini, should have drifted into obscurity rather than being celebrated", and the same article quotes The Times as saying that Fielding's performance as Hedda Gabler was "one of the experiences of a lifetime".
• Warner and Shaw have collaborated on plays including Electra (RSC); The Good Person of Sezuan (1989, National Theatre); Hedda Gabler (1991, The Abbey Theatre and BBC2); the controversial Richard II, with Shaw in the title role, also at the National Theatre (1995) and televised by BBC2; Footfalls, whose radical staging so enraged the Beckett estate that the production was pulled during its run; The PowerBook, at the National Theatre, a dramatisation of Jeanette Winterson's novel; Medea (2000–2001, Queen's Theatre and Broadway); and Shakespeare's Julius Caesar, in which Shaw played the small part of Portia.
• Other than Guys and Dolls, his theatre productions include Hamlet (twice), with Jonathan Pryce at the Royal Court in 1980 and Daniel Day-Lewis in 1989; Richard III with Ian McKellen; King Lear with Ian Holm; Tennessee Williams' The Night of the Iguana and Sweet Bird of Youth; Eduardo De Filippo's Napoli Milionaria and Le Grande Magia; Henrik Ibsen's John Gabriel Borkman with Paul Scofield, Vanessa Redgrave and Eileen Atkins; Ibsen's Hedda Gabler with Eve Best; and numerous new plays by David Hare, Tom Stoppard, Trevor Griffiths, Howard Brenton, Alan Bennett, Christopher Hampton and Nicholas Wright.
• The Yankees added a run in the sixth on Joe DiMaggio's sacrifice fly with two on off Frank Gabler, then loaded the bases in the seventh on a walk and two singles before Lazzeri's flyout and Gomez's groundout scored a run each.
• He acted in many plays, including "The Inspector General" by Nikolai Gogol (1945); Liar by Carlo Goldoni (1952); How the Steel Was Tempered, based on the novel by Nikolai Ostrovsky (1952); Hedda Gabler by Henrik Ibsen (1957), There, Behind the Door, based on the work of Wolfgang Borchert (1966); and The Chair, by Valery Vrublevskaya (1980).
• For 2004–2005, offered a season of theatrical works by Greg MacArthur (Snowman), Daniel MacIvor (da da kamera's Cul-de-sac), Mirha-Soleil Ross (Yapping out Loud), Marie Clements (Native Earth's The Unnatural and Accidental Women), Adam Bock (Theatrefront's Swimming in the Shallows), Darren O'Donnell (Mammalian Diving Reflex's Suicide-site Guide to the City), Ann Holloway (Kingstonia), Sky Gilbert (Cabaret Company's Rope Enough), and an adaptation by Judith Thompson (Volcano's take on Ibsen's Hedda Gabler).
• She performs as a book reader, and has recorded all of Jane Austen's novels as unabridged audiobooks, as well as a number of other novels, such as Lady Windermere's Fan, Hedda Gabler, Stories from Shakespeare, and To the Lighthouse.
• Conflict between women's prescribed roles, their own values, and their perceptions of self are prominent in such works as Die Walküre, Effi Briest, Madame Bovary, Middlemarch, Anna Karenina, A Doll's House, and Hedda Gabler.
• His Broadway credits include The Lodger (1916), The Silent Witness (1930), Fioretta (1928), The Outsider (1924), Napoleon (1927), The Thief (1926), Slaves All (1926), Beau Gallant (1925), Caesar and Cleopatra (1924), The Outsider (1923), The Comedian (1922), The Grand Duke (1921), Deburau (1920), Tiger! Tiger! (1918), Another Man's Shoes (1918), A Doll's House (1917), Hedda Gabler (1917), The Wild Duck (1917), The Indestructible Wife (1917), L'elevation (1917), and Eve's Daughter (1917).
• His subordinates include Charlie Trinkham (raffish), Everett Gabler (severe), and Walter Bowman (corpulent and curious).
• His other theatre work includes The James Plays, Our Country's Good, The Observer, Afterlife, Never So Good and Two Weeks with The Queen with the Royal National Theatre; Mamma Mia! at the Prince Edward Theatre; Singin' in the Rain at the Palace Theatre; Black Watch with the National Theatre of Scotland; How to Hold Your Breath at the Royal Court Theatre; The Same Deep Water As Me at the Donmar Warehouse; The Winter's Tale at Shakespeare's Globe; A Number and Educating Agnes at the Royal Lyceum Theatre, Edinburgh; Juno and the Paycock, Richard III, Hedda Gabler and Guys and Dolls in Leicester with Haymarket Studio.

Förberedelsen av sidan tog: 260,21 ms.