Information om | Engelska ordet GRISAILLE

Exempel på hur man kan använda GRISAILLE i en mening

• The four lower panels of the closed altar are divided into two pairs; sculptural grisaille paintings of St John the Baptist and St John the Evangelist, and on the two outer panels, donor portraits of Joost Vijdt and his wife Lysbette Borluut; in the upper row are the archangel Gabriel and the Annunciation, and at the very top are the prophets and sibyls.
• Renaissance artists such as Mantegna and Polidoro da Caravaggio often used grisaille to imitate the effect of a classical sculptured relief or Roman painting.
• They were authors of the facade decoration in classicising Graffito, usually in grisaille, of several Roman houses, like those ones in Borgo and in Parione (near Santa Maria della Pace and in Via del Pellegrino).
• Miers' superior products could be in grisaille, with delicate highlights added in gold or yellow, and some examples might be painted on various backings, including gesso, glass or ivory.
• There are several different types of underpainting, such as veneda, verdaccio, morellone, imprimatura and grisaille.
• Within the outer spandrels of the star are putti, done in grisaille, working as masons and carpenters.
• Rendered in a green–gray grisaille, these panels lack colour, probably because most Netherlandish triptychs were thus painted, but possibly indicating that the painting reflects a time before the creation of the sun and moon, which were formed, according to Christian theology, to "give light to the earth".
• The exterior of the shutters, like most contemporary Netherlandish triptychs, was also painted, although in this case Bosch used full colors instead of the usual grisaille.
• For both these monarchs he executed many portraits in enamel—among them quite a number of plaques depicting Diane de Poitiers in various characters, plates, vases, ewers, and cups, besides decorative works for the royal palaces, for, though he is best known as an enameller distinguished for rich color, and for graceful designs in grisaille on black or bright blue backgrounds, he also enjoyed a great reputation as an oil-painter.
• Hyperrealist painters and sculptors make allowances for some mechanical means of transferring images to the canvas or mold, including preliminary drawings or grisaille underpaintings and molds.
• In the late Victorian period it was common for leadlight windows in wealthier homes to contain small rondels painted in grisaille (grey) and depicting birds or fruit and flowers representing the seasons.
• In an act of good faith, the ransomer returned one of the panel's two parts (a grisaille painting of St John the Baptist).
• Both the handling of the grisaille technique and the box-like architectural frames in which some of the scenes are set indicate a keen awareness of the earlier work of Jean Pucelle (active in Paris in the 1320s).
• Grand Carteret notes in particular "a complete decoration in grisaille, with overdoors, printed panels, architectural ornaments" representing mythological scenes ("Apollo and Daphne after Van Loo, Pygmalion and his statue, Orpheus charming the beasts, the Sacrifice of Iphigénie after Delafosse, the Offering to Pan, Pyramus and Thisbe").
• Building materials include a fine foliate decorated roof boss from the presbytery, a quantity of mid-13th century grisaille glass, lead cames and window ties.
• The pedestal surprise is made of gold, pearls, rose-cut diamonds, green garnets, translucent green, opaque white, opalescent pale pink, pale green and pale sepia grisaille enamel.
• The Sibyls Casket in the Waddesdon Bequest in the British Museum (one of the better collections, and always on display) is an elaborate small locking casket with a framework of silver-gilt and gems, set with grisaille panels with touches of gold and flesh-tints.
• The Casket of the Sibyls is an elaborate small locking casket with a framework of silver-gilt and gems, set with grisaille panels with touches of gold and flesh-tints.
• The outer wings of 15th-century diptychs and triptychs typically contained Annunciation scenes painted in grisaille.
• A badly damaged Mater Dolorosa painted in grisaille on the reverse side of a panel of the Virgin attributed to the Master of Flémalle (Städel Museum, Frankfurt am Main) has been attributed to van der Baren.

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