Information om | Engelska ordet IANNIS

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• A renowned teacher, he taught many future jazz and classical composers, including Burt Bacharach, Dave Brubeck, Philip Glass, Steve Reich, Karlheinz Stockhausen and Iannis Xenakis among others.
• During the 1960s and 70s, he became interested in the music of modernist composers such as Luigi Nono and Iannis Xenakis, using indeterminacy in works such as Sonograma I.
• He received a grant from The Ford Foundation to study in West Berlin under Iannis Xenakis in 1962 and stayed in Europe until 1966, also stayed in New York under Rockefeller Foundation scholarship until 1972.
• He then studied under Mauricio Kagel, Karlheinz Stockhausen, Christian Wolff and Iannis Xenakis in Darmstadt.
• Manoury's work is strongly influenced by Pierre Boulez, Karlheinz Stockhausen, and Iannis Xenakis, and his early work from 1972 to 1976 combines serial punctualism with the densely massed elements characteristic of the music of Stockhausen and Xenakis, and the paintings of Jackson Pollock.
• He felt a certain "shock" upon hearing Edgard Varèse's Arcana (1927), and a similar shock when he attended Iannis Xenakis's multimedia performance Polytope de Cluny in 1972, yet he felt "une proximité plus grande" ("a greater closeness") to the latter composer.
• Amelunxen has curated several international exhibitions, working shoulder to shoulder with well-known artists such as Cy Twombly, Iannis Xenakis, Dieter Appelt, Peter Weibel, Naoya Hatakeyama, among others.
• Ka-Spel has cited Iannis Xenakis, the Beatles, Nurse With Wound, David Bowie, Brainticket, Can, The Residents, Magma, and Throbbing Gristle as significant influences.
• Iannis Xenakis's Concret PH (1958), Bohor I (1962), Persepolis (1971), and many of his pieces for traditional instruments.
• The organ program's director, John Holtz, subsequently launched the International Contemporary Organ Music Festival which ran from 1971 to 1984, and brought world-wide attraction to Hartt with new organ music commissions and performances from major composers and organists, including Marilyn Mason, William Albright, Iannis Xenakis, and William Bolcom.
• Other notable pioneers of graphic notation include composers such as Roman Haubenstock-Ramati, Mauricio Kagel, György Ligeti (Artikulation), Krzysztof Penderecki, Karlheinz Stockhausen, and Iannis Xenakis, Morton Feldman, Constance Cochnower Virtue, and Christian Wolff.
• He promoted contemporary music, beginning with Schoenberg's Pierrot Lunaire, followed by works by Richard Strauss, Anton Webern, Alban Berg, Edgard Varèse, later Iannis Xenakis, Luigi Nono and Leon Schidlowsky.
• Also, the engineer Iannis Xenakis applied the Modulor system to the design of the exterior vertical ventilators or "ondulatoires".
• Artists included Ann Magnuson, Christian Marclay, Curtis Roads, DJ Spooky, Iannis Xenakis, Invisibl Skratch Piklz, John Cage, Mix Master Mike, Richard Devine, Robert Rich, Ryuichi Sakamoto, and the X-Ecutioners.
• It reissued music by the Groupe de Recherches Musicales collective, including by Pierre Schaeffer, Bernard Parmegiani, Iannis Xenakis, and Beatriz Ferreyra.
• Haino cites a broad range of influences, including troubadour music, Marlene Dietrich, Iannis Xenakis, Blue Cheer, Syd Barrett, and Charlie Parker.
• Aperghis worked with Pierre Schaeffer and Iannis Xenakis and founded the music and theater company ATEM (Atelier Théâtre et Musique).
• Iannis Xenakis composed two percussion sextets for Les Percussions de Strasbourg, Persephassa (1969), and Pléïades (1979), and in 1996 wrote Zythos, for trombone and six percussionists, for Christian Lindberg and the Kroumata Ensemble.
• Oversaw the label's recordings of works by 49 composers from 16 countries, among them Charles Ives, John Cage, Luigi Nono, Bruno Maderna, Karlheinz Stockhausen, Luciano Berio and Iannis Xenakis and the first commercial recordings of Giacinto Scelsi, Christian Wolff and Sylvano Bussotti.
• "Cognitive Constraints on Compositional Systems" is an essay by Fred Lerdahl that cites Pierre Boulez's Le Marteau sans maître (1955) as an example of "a huge gap between compositional system and cognized result," though he "could have illustrated just as well with works by Milton Babbitt, Elliott Carter, Luigi Nono, Karlheinz Stockhausen, or Iannis Xenakis".

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