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• Propagandistic tendencies are also present, but with more subtlety, in the episode featuring the construction of an airport: one shot shows the former Czar's tanks helping prepare a foundation, with an intertitle reading "Tanks on the labor front".
• For example, the Chicago Board of Censors required cuts, in Reel 3, of that part of a bayoneting scene showing closeup of a man's side from which a stream of blood flows, Reel 6, that portion of dancing scene where dancer twirls her skirt and exposes posterior to camera, officer carrying young woman off into other room, six scenes of German officer on floor motioning to young woman to come and lie down beside him, closeup of same German officer reaching up with arms for young woman to come to him, closeup of officer and young woman embracing in bunk, officers forcing young peasant women towards bunks, scene showing young women in bunks with clothing disheveled and hair down and officers walking off and adjusting clothes, and the intertitle "Dungeons of Lust" and scenes of young women lying prostrate following the intertitle.
• For example, the Chicago Board of Censors required cuts, in Reel 1, of the man pulling pincushion from his posterior, silhouette of girl undressing, Reel 2, schoolroom scene were boy kicks girl, man pulling tack from posterior, West striking boy with slingshot in posterior as he bends over, the intertitle "Teacher, can I go out?" and West's vulgar actions of smelling after the intertitle "Teacher, please let him out", school superintendent thumbing nose, scene of man's underwear showing through his torn trousers, two scenes of jabbing man with pin cushion to include West pulling man's coat apart exposing trousers, fat man pointing after child speaks to him, and fat man falling exposing underwear.
• Murdock pointing to a place near her in bed, Reel 4, the intertitle "No, I can't forget, I'll take you only to your apartment", all scenes of young woman in man's arms on chair, Reel 5, all scenes of young woman in man's arms on chair, young woman shooting man and all scenes of her on floor after shooting, and the four intertitles "I killed him; he was a beast", "We've got to get him to his hotel", "Hushing it up", and "I won't turn you over to the police yet".
• For example, the Chicago Board of Censors cut, in Chapter 4, Reel 1, the man attacking and binding young woman on the boat, and choking scene on top of cabin; in Chapter 5, Reel 1, two views of men shooting and men falling from automobile and, Reel 2, actual cutting of handbag cord and taking handbag; in Chapter 7, Reel 2, binding man at point of gun and letting man down crater by rope; in Chapter 8, Reel 1, the intertitle "Now talk or we'll kill you", two scenes of threatening man with knife, Reel 2, two scenes of bomb throwing from airplane and shooting at automobile; in Chapter 11, Reel 1, all train holdup scenes to include scenes of passengers with hands up, shooting, man with gun, and shooting at automobile, and, Reel 2, all views of man about to be hanged from tree to include two closeups and one distant view; in Chapter 12, Reel 1, four scenes of man with rope around neck, the intertitle "We all was about to have a necktie party", and two scenes of man falling from horse; in Chapter 14, Reel 1, shooting scene in which man falls, and, in Chapter 15, Reel 2, binding of young woman, closeup of choking man.
• Chapter 5, two scenes of men outside window shooting at Cody, intertitle "Say the word, boss, and we'll hang him", all but first two and last two shooting scenes to include two scenes of men falling, Reel 2, two scenes of man holding gun to Clayton's side, four shooting scenes between sheepman and cowboy to include men falling, shooting man during truce between sheepman and cowboys, first three choking scenes between Cody and Johnson, Nathan Loose falling and scene of covering dead man's face with handkerchief in battle between sheepmen and cattlemen, first struggle scene between man and young woman in which she breaks away and is carried to other side, and struggle scene in which man puts hand over her mouth;.
• The Chicago Board of Censors required these cuts in the following chapters of the serial: Chapter 1, Reel 2, the stabbing of man after theft of diamonds, man thrusting knife to stab man not in picture, and stabbing young man in snow, Reel 3, the intertitle starting with "The first move means death" and the two holdup scenes following, four slugging scenes, and choking of girl; Chapter 2, slugging of reporter; Chapter 3, the striking of girl on head with bottle and the throwing of policeman overboard; Chapter 4, lashing of man, three scenes of threatening girl with gun, and two shooting scenes; Chapter 5, Carslake slugging reporter, bumping reporter's head against wall, all scenes of man impersonating officer holding up Knox girl in room, fight scenes, and intertitle "Whether the diamond is recovered or not - you die"; Chapter 6, all scenes of girl suspended over cauldron of boiling oil except flash of one scene, gagging girl, throwing man in tank, and the intertitle "Knox must die tonight"; Chapter 7, holdup, binding, and choking of reporter, attack and choking of girl on stairway, attack on jailer, passing of money, intertitle starting with "She is Violet Standish", binding reporter to chair, and holdup of girl in car; Chapter 8, the intertitles "At the point of a pistol," etc.
• For example, the Chicago Board of Censors required, in Chapter 1, a cut of a scene with an attack on a man by the Hidden Hand; in Chapter 2, of the Hidden Hand slugging a man; in Chapter 3, of a lighting meter, the loosening of a nut on a bolt, and the Hidden Hand killing a man; in Chapter 4, six scenes of cutting into safe with torch, gagging and binding young woman to chair, and taking jewel box from safe; in Chapter 5, Reel 1, the assault and abduction of young woman, assault on man, shooting poison powder at man, and examining property from unconscious man, Reel 2, two scenes of assault on man and young woman, two scenes of binding and gagging them, and shooting at the rope; in Chapter 6, the attack on the young woman, three scenes of finding and gagging her, four scenes of suspending her above lime box, and the intertitle "Fasten the rope so that when Ramsey comes she'll plunge into the box"; in Chapter 7, Reel 1, two scenes of young woman suspended over lime vat, throwing man into vat and following scene of him climbing out; in Chapter 9, Reel 1, two scenes of breaking in door of car, slugging of man, Reel 2, the Hidden Hand choking young woman, the intertitle "You will never interfere with my plans again", dynamiting tower and lighting fuse, attack on young woman, shorten fight scenes to eliminate holdup of hero with gun, striking man with shovel, and the young woman shooting man.
• For example, the Chicago Board of Censors required these cuts in these three episodes: Episode 11, throwing brick down on man, stealing key from rack, stealing letters, and throwing man into burning house; Episode 12, the intertitle "Or I will have you ejected by complaining that you are what you are -"; and Episode 13, thugs shooting from boat, two holdup scenes, attack on girl and gagging, shooting from window, and the intertitles "We must get the girl - to go back to him", "You have ruined Margaret Warner and the Veiled Woman", and "You will return to Kennedy or -".
• For example, the Chicago Board of Censors cut, in Reel 3, young woman in diaphanous nightgown and scene of same with group and the intertitle "What could Richard think? What could any loving husband think?".
• The Chicago Board of Censors required cuts in Reel 1 of the intertitles "We're after men who take girls across the state line" and "Strong, I'm going to force you to make a settlement"; Reel 2, scene of the woman taking money from her sister's purse and two automobile holdup scenes; Reel 3, the intertitles "Ignorant of the fact that Caretown is across the state line" and "Across the state line"; and Reel 5, the letter stating "If you want to see your wife bring $50 to Pier 66", the intertitle "Here's $50 to shanghai him", and the attack on a man, robbing him and carrying him aboard ship, and the closeup of slugging man with fist.
• For example, the Chicago Board of Censors required cuts of the holdup and stealing of a letter, two scenes of the holdup of the officer at point of knife, binding the officer to the cabin wall, two closeups of men leering at the young woman after the intertitle "Give me a leetle kiss", and three closeups of the half-breed's face as he looks at the unconscious young woman in the cabin.
• For example, the Chicago Board of Censors required cuts, in Reel 2, of the second view of a letter with the words "We'll always be friends on the side", two near views of intoxicated young woman seated on table smoking cigarettes, flash two scenes of semi-nude man and woman dancing in restaurant, first view of intoxicated young woman standing against wall, two scenes of bouncing young woman on tapestry and following scene of men carrying her off on their shoulders, scene of intoxicated woman on settee, and, Reel 4, the intertitle ending "That man has been her lover for years".
• For example, the Chicago Board of Censors required, in Reel 1, a cut of a long gambling scene, the two intertitles "Since you want to go on the stage, Melcher will want to see more of you" and "True to Mercher's prediction, he did want to see more of Lilas", and all indications of the young woman posing including where she is shown undressing behind screens, her handing a man a kimono and his handing it back to her, view of nude painting in the background, and the incident of maid opening secret panel admitting man to buffet flat; Reel 2, two views of nude painting, the entire incident of second young woman posing before man, the intertitle "Animated by revenge, Lilas permitted Hammon to install her in the Elegancia Apartments", and man putting had suggestively on woman's bare shoulder; Reel 3, two views of man kissing woman on neck and the intertitle "Take him to Clover roadhouse" etc.
• On a re-review, the Chicago board cut, in Reel 1, the entire incident of married woman in man's room and all intertitles pertinent to same, Reel 3, the two intertitles "We've had much wine — let's have some wild women" and "I'll go and call some up on the telephone", Reel 4, husband locking door of wife's room, two closeups of man's face as he comes towards his wife, all scenes of husband advancing towards wife and wife shrinking against wall of room, the intertitle "I always thought of you as a child", all except first struggle scene of couple, Reel 5, two intertitles "Dear boy — come to me" and "I sent for you tonight", and, Reel 6, woman shooting man.
• For example, the Chicago Board of Censors cut, in Reel 2, the intertitle "I guess I'm about through with you"; and made numerous cuts in Reel 4: all but the first and last fight scenes between McTaggart and Nepeese, where he suggestively leers at her; reduces the length by half of the fight scenes between men, cuts the shooting of Perriot, cut all struggle scenes except first and last, the intertitle "From now on you belong to me", and the arson scene.
• For example, the Chicago Board of Censors cut, in Reel 1, young woman at bar drinking with men, the intertitle "His protege, the nameless waif of a departed dance hall girl", Reel 3, Mexican shooting man, Reel 4, closeup of Riley as he is about to spring at young woman as she lies on ground, two closeups of Yates choking man, Reel 5, three intertitles "There's a rope waiting for you, Riley", "They're going to lynch Riley", and "You've got two minutes to pray", last two scenes of mob taking man from jail, scene of cowboy with rope in hand, and all scenes of man with rope around neck up to where young woman rescues him.
• After reinspection, the Chicago board required additional changes, after the closeup of Courtney on stairway and her husband has gone into Nanny's room, insert the intertitle "Convinced that the meddlesome Nanny has misunderstood their affection, Courtney thinks only of the safety of Gallatin" and eliminate the intertitles "It is true", "Where is he", and "There are times when a man must ignore or kill".
• The Chicago Board of Censors required a cut of the shooting of a man in the barroom, the intertitle "Well, he can have you when I get through with you", and two closeups of men in a fight where Matthew bites the man's hand, Matthew is thrown against the wall, and Matthew shoots the man.
• For example, the Chicago Board of Censors required a cut, in Reel 1, of the three intertitles "Listened and sinned and now the squaws point to her with scorn", "You are a scoundrel and should be made to marry her", and "I lied to shield your brother", Reel 2, Le Noir holding knife preparatory to stabbing the man, Reel 3, the two intertitles "I am going to mate you lower than the wolves" and "You may yet have a white squaw, Numa", closeup of Indian holding young white woman in embrace and suggestively leering at her, first two den scenes showing squaws sitting on men's laps, in vision of murder eliminate scene in which Le Noir pulls out knife, two scenes of Le Noir forcibly kissing young woman, Reel 4, last scene of Indian sitting outside of young woman's door where his face registers his intention to commit rape, the intertitle "You may yet have white squaw" and vision of man struggling with young woman, and Indian going to young woman's bed and pulling off sheet.

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