Information om | Engelska ordet JIDAIGEKI


JIDAIGEKI

Antal bokstäver

9

Är palindrom

Nej

13
AI
AIG
DA
DAI
EK
EKI
GE
ID

1

1

227
AD
ADE
ADI
ADJ


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Exempel på hur man kan använda JIDAIGEKI i en mening

  • During the 1950s, a period dubbed the "Golden Age of Japanese cinema", the jidaigeki films of Akira Kurosawa as well as the science fiction films of Ishirō Honda and Eiji Tsuburaya gained Japanese cinema international praise and made these directors universally renown and highly influential.
  • is a 1957 Japanese jidaigeki film co-written, produced, edited, and directed by Akira Kurosawa, with special effects by Eiji Tsuburaya.
  • These collaborations included Kurosawa's critically acclaimed jidaigeki films such as Rashomon (1950), for which Mifune won the San Marco Golden Lion at the Venice Film Festival, Seven Samurai (1954), Throne of Blood (1957), The Hidden Fortress (1958), and Yojimbo (1961), for which Mifune won the Volpi Cup for Best Actor at the Venice Film Festival and was recognised at the Blue Ribbon Awards as Best Actor.
  • He is best known for the basketball series Slam Dunk (1990–1996), and the jidaigeki manga Vagabond, which are two of the best-selling manga series in history.
  • is a 1962 Japanese jidaigeki film directed, co-written and edited by Akira Kurosawa, starring Toshiro Mifune.
  • is a 1950 Japanese jidaigeki film directed by Akira Kurosawa from a screenplay he co-wrote with Shinobu Hashimoto.
  • is a 1965 Japanese jidaigeki film co-written, edited, and directed by Akira Kurosawa, in his last collaboration with actor Toshiro Mifune.
  • He directed jidaigeki at the Shochiku studios, where he helped establish the career of Chōjirō Hayashi (later known as Kazuo Hasegawa).
  • Returning to Nikkatsu, he continued making jidaigeki and participated in the Naritaki Group of young filmmakers such as Sadao Yamanaka and Fuji Yahiro who collaboratively wrote screenplays under the made up name "Kinpachi Kajiwara".
  • Yamazaki is known for his roles as Goro in Tampopo (1985) and Nenbutsu no Tetsu on the television jidaigeki Hissatsu Shiokinin and Shin Hissatsu Shiokinin.
  • Utamaro and His Five Women (1946) was a notable exception of an Edo era jidaigeki film made during the Occupation, as this genre was seen as being inherently nationalistic or militaristic by the Allied censors.
  • Some genres such as jidaigeki, police procedurals, or family dramas, however, feature series that are episodic or that sometimes continue for years on end, with Mito Kōmon, Taiyō ni Hoero!, or Wataru Seken wa Oni Bakari being famous examples.
  • It is almost entirely black-and-white, and follows a fairly standard plotline for a comedy and jidaigeki samurai film, but the presence of Tomoyasu Hotei's rock-and-roll soundtrack separates it from the films it was inspired by, such as the works of Akira Kurosawa.
  • It is based on the stories "The House in the Thicket" and "The Lust of the White Serpent" from Ueda Akinari's 1776 book Ugetsu Monogatari, combining elements of the jidaigeki (period drama) genre with a ghost story.
  • The role for which he is perhaps best remembered in Japan, however, is that of the title character in the hugely popular TV jidaigeki Mito Kōmon, in which the historical Tokugawa Mitsukuni, retired daimyō of the Mito Domain, roams the country in the guise of a retired merchant, Mitsuemon, righting wrongs and correcting injustice with the aid of two samurai retainers.
  • Asahi TV cast her in the lead role in two 90 minute specials in the Onyado Kawasemi jidaigeki series (1988–89); Yasuko Sawaguchi, Reiko Takashima and others have played the same character.
  • A veteran jidaigeki actor, Nishida portrayed the recurring villain Mugensai who masterminded the plot to assassinate the shogun in the series Shogun Iemitsu Shinobi Tabi Part II.
  • At studios such as Tōa Kinema and Makino Talkie, she achieved fame specializing in starring roles playing vamps, dokufu (poison women), and yakuza molls in jidaigeki.
  • In his quest to become a legendary Yokai hunter, Kinji seeks out Yoshitaka to become his apprentice and followed him to Japan, where the former learns to speak in an old Japanese Edo dialect after watching jidaigeki and rakugo.


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