Synonymer & Anagram | Engelska ordet KAPA

Exempel på hur man kan använda KAPA i en mening

• It is believed that the watershed area of the Kohala mountains once supported several thousand native Hawaiians, who practiced subsistence agriculture, made kapa, and thatched dwellings.
• There are other related dances (tamure, hura, 'aparima, 'ote'a, haka, kapa haka, poi, Fa'ataupati, Tau'olunga, and Lakalaka) that come from other Polynesian islands such as Tahiti, The Cook Islands, Samoa, Tonga and New Zealand; however, the hula is unique to the Hawaiian Islands.
• They are also used in present-day kapa haka competitions, and training with the taiaha is seen as part of the Māori cultural revival.
• The Konohiki, a class of chiefs that managed land, provided the service of tax collector, collected agricultural and aquacultural products such as pigs, taro, sweet potatoes, dry fish, kapa and mats.
• In 1984 Sharples led the kapa haka at the pōwhiri (opening ceremony) of the Te Maori exhibition at the Metropolitan Museum of Art in New York.
• As a boy he studied mau rākau, a traditional Māori form of taiaha fighting, with Māori elder Mita Mohi on Mokoia Island, which nurtured his abilities as a performer in kapa haka.
• A kapa haka performance involves choral singing, dance and movements associated with the hand-to-hand combat practised by Māori in mainly precolonial times, presented in a synchronisation of action, timing, posture, footwork and sound.
• Center Hall - Silver christening vessel given by Queen Victoria; tiger claw necklace; stereopticon given by Napoleon III on Queen Emma's visit to France in 1865; kapa cloth artifacts; feather standards (kāhili).
• Tapa cloth (or simply tapa) is a barkcloth made in the islands of the Pacific Ocean, primarily in Tonga, Samoa and Fiji, but as far afield as Niue, Cook Islands, Futuna, Solomon Islands, Java, New Zealand, Vanuatu, Papua New Guinea and Hawaii (where it is called kapa).
• In most of Polynesia, the term for barkcloth can be reconstructed from Proto-Nuclear-Polynesian *taba, meaning "bark", with cognates including Wayan taba; Tongan, Samoan, Mangareva, and Rarotongan tapa; and Hawaiian kapa.
• As a result, Reid and Shelford who had 10 years of kapa haka experience trained them on how to correctly perform the haka, stressing the importance of correctly learning the tikanga, correct pronunciation of the words and actions.
• For Filipino gays the Tagalog phrase paglaladlad ng kapa ("unfurling the cape") or, more commonly, paglaladlad ("unfurling" or "unveiling") refers to the coming-out process.
• In native Hawaiian society, it is used in house and heiau construction, as well as to make papa kui ai (poi boards), weapons, tool handles, hohoa (round kapa beaters), and kii (statues and idols).
• This early art practice includes wood carvings, petroglyphs, kākau (Hawaiian tattooing), kapa (barkcloth; called kapa in Hawaiian, and tapa elsewhere in the Pacific), kapa kilohana (decorated barkcloth), ipu pā wehe (decorated gourds), kāhili (featherwork), lauhala weaving (weaving, plait, or braiding leaves), and leiomano (shark-tooth weapon).
• A waiata tangi (lament) composed for her by Tīmoti Kāretu was for a number of years the signature piece of the kapa haka group of the Te Tumu School of Māori, Pacific and Indigenous Studies at the University of Otago.
• Native Hawaiians used kōlea lau nui wood to make papa olonā (Touchardia latifolia scrapers), kua kuku (kapa anvils), pou (house posts), kaola (beams) and pale (gunwales) and manu (ornamental end pieces) for waa (outrigger canoes).
• The ornaments include a choker, padaka-tilaka (a long necklace), bahichudi or tayila (armlets), kankana (bracelets), a mekhalaa' (belt), anklets, bells, kapa (earrings) and a seenthi (ornament work on the hair and forehead).
• This included dawn ceremonies, traditional karakia, speeches in Te reo Māori, waiata and kapa haka, during which some warriors had moko on their faces.
• The clubhouse contains an extensive collection of artwork honoring the culture of Hawaii, including a painting by Herb Kawainui Kāne, featherwork by Jo-Anne Kahanamoku-Sterling, kapa by Puanani Van Dorpe, bronze sculptures by Dale Zarella, and a portrait by Tonia Marks Baney.

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