Information om | Engelska ordet LEAD-GLAZED

Exempel på hur man kan använda LEAD-GLAZED i en mening

• Many are lead-glazed sancai (three-colour) wares; others are unpainted or were painted over a slip; the paint has now often fallen off.
• Here Wedgwood explains that by 1759 there was an urgent need to improve the quality of lead-glazed creamware which was the principle ware being produced by Whieldon at the time.
• Eating and drinking utensils consisted of lead-glazed red-bodied and white/buff bodied earthenware, tin earthenware, Rhenish stoneware, Chinese porcelain, glass roemers, Spechter glasses, and façon de Venise glassware.
• The factory was based in Kilchberg-Schooren on Lake Zurich and produced a mixture of faience (tin-glazed pottery) and faience fine (lead-glazed earthenware) alongside the more traditional Zurich ware.
• These included the last significant fine earthenwares to be produced in China, mostly lead-glazed sancai (three-colour) wares.
• Initially "its main product was coarse redware for farm and domestic use, though creamware and lead-glazed earthenware were also made".
• Victorian majolica is a generic name given to the brightly coloured lead-glazed earthenware that was originally developed by Mintons for the Great Exhibition of 1851.
• Also known as: maiolica, Palissy ware, coloured glazes majolica, coloured-glazed majolica, lead-glazed majolica, and misleadingly 'lead or tin glazed' majolica.
• Because of their identical names, there has been some confusion between tin-glazed majolica/maiolica and the lead-glazed majolica made in England and America in the 19th century, but they are different in origin, technique, style and history.
• The broader term ceramic painting includes painted decoration on lead-glazed earthenware such as creamware or tin-glazed pottery such as maiolica or faience.
• Victorian majolica is predominantly lead-glazed 'majolica' earthenware, introduced by Mintons in the mid-19th century as a revival of "Palissy ware".
• Creil-Montereau faience is a faïence fine, a lead-glazed earthenware on a white body originating in the French communes of Creil, Oise and of Montereau, Seine-et-Marne, but carried forward under a unified direction since 1819.
• Specimens recovered from the excavation include celadon dishes with fish motifs, celadon censers, qingbai and blue and white jarlets, small lead-glazed water droppers and teapots, qingbai double gourd vessels, large grey-glazed ewers, figurines of carabao with riders in plain and spotted qingbai, and brown wares of all sizes and shapes.
• Werra and Weser slipwares were a lead-glazed earthenware pottery contemporary with but distinct from the opaque tin-glazed wares such as Delft, Majolica and Faenza.

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