Definition & Betydelse | Engelska ordet MACROCOSM

Definition av MACROCOSM

1. makrokosm, makrokosmos

Exempel på hur man kan använda MACROCOSM i en mening

• San Jiao is believed to be a body cavity of some kind which has the ability to influence other organs, and overall health, mainly through the free movement of Qi, the fundamental energy or life force on the microcosm and on the macrocosm it is associated with the interactions between The Heavens, humans and earth.
• In the cosmology of Surat Shabda Yoga, involution and evolution apply to both the macrocosm, the whole of creation, and the microcosm, the constitution of an individual soul.
• Topics discussed include: how an aspirant can best prepare himself for service, the various ray types of their influences, the relationship between the macrocosm and microcosm, the spiritual, causal, astral and physical realms and their interactions, the spiritual psychology of man (although this is dealt with much more fully in the Esoteric Psychology volumes), The Hierarchy of Masters, esoteric groups and schools, the spiritual centres (or chakras), the occult concept of the Seven Rays, meditation work and much more.
• It reflects the integration of various esoteric principles, such as the union of the five-fold pentagram (microcosm) with the six-fold hexagram (macrocosm), resulting in the complete manifestation of the Rosy Cross.
• The images span the microcosm (inside the body), through the individual (the first cry of a new-born baby), to the macrocosm (accumulated archive footage of ritual celebration and the carnage of war).
• This basic quality, which was for Confucius and Mencius the bond between human society and the ways of Heaven (tian) and hence fundamental to the underlying moral structure of the universe, was expanded by Zhang Zai to encompass the universe itself, since for the sage to form "one body with the universe" suggests the complementarity and fundamental identity of microcosm and macrocosm.
• Through astronomical numbers and particular alignments connected to the temple's location and the relationship between the deity and the worshipper, the temple's design also illustrates the idea of recursion and the equivalency of the macrocosm and the microcosm.
• Although he began as a follower of Paracelsus, van Helmont rejected many of his theories, most notably Galenic concept of the macrocosm with microcosm.
• The research field of Astroparticle Physics, represented by the divisions of Jim Hinton, Werner Hofmann and Manfred Lindner, combines questions related to macrocosm and microcosm.
• Based on the by then antiquated principle of maintaining harmony between the microcosm and macrocosm, Paracelsianism fell rapidly into decline in the later 17th century with the rise of the scientific movement, but left its mark on medical practices.
• Hymer argued that this hierarchal division of labor was a macrocosm of the internal division of labor reproduced within the multinational corporation.
• The Arbatel cannot be understood if separated from the philosophy of Paracelsus, who appears to have coined the term "Olympic spirits", and was the inspiration for the Arbatels understanding of elementals (including Paracelsus's gnomes and the uniquely Paracelsian "Sagani"), the macrocosm and microcosm, and experimentation combined with respect for ancient authorities.
• De Bry had been assisted by his two sons, Johann Theodor de Bry (1561–1623) and Johann Israel de Bry (1565–1609), who after their father's death in Frankfurt-am-Main on 27 March 1598, carried on the Collectiones (expanded to voyages in Asia, reaching 30 volumes) and the illustration of Boissard's work and also added to the Icones and other significant publications, like Robert Fludd's works on the microcosm and macrocosm.
• A previous exploration of the theme of a mystical epiphany of the divine macrocosm apprehended through the microcosm may be found in the oft-quoted first four lines of the poem "Auguries of Innocence", composed by William Blake (1757 –1827) in the year 1803, but remaining unpublished until 1863 - the very year of Tennyson’s composition of "Flower in the Crannied Wall".
• Antoine Faivre affirmed occultism, gnosticism and hermeticism share a set of common characteristics that include the faith in the existence of secret and syncretistic correspondences – both symbolic and real – between the "macrocosm and the microcosm, the seen and the unseen, and indeed all that is".
• Raikva was a mystic who knew about the relationship between the macrocosm and the microcosm and concluded that the two which are such, are surely the two places of merger – air indeed in the case of gods, the vital force in the case of organ, that absorption is the important quality to be meditated upon as Air and Prana.
• Concerned with astral and invisible bodies, he re-read architecture from an anthropological angle, suggesting a re-instatement of that generative presence of the body in architecture through the work of a group of esoteric interpreters practicing Eurythmy: a bodily experience seeking a holistic approach to space through a series of coded movements where macrocosm and microcosm are intermingled.

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