Synonymer & Information om | Engelska ordet MAQAM

Exempel på hur man kan använda MAQAM i en mening

• In Arabic, the hill is known as "Mount Dahi" (Jebel ed-Dahi), after the Muslim shrine (maqam) of Dihyah al-Kalbi situated at its top and housing the tomb of this seventh-century saint.
• The most important structural element of malouf, however, is the Andalusi nuba, a two-part suite in a single maqam (an Arab mode organized by quarter-tones), which lasts about an hour.
• In taqsim, the musician creatively brings out the sound of one or mote maqams by playing a sequence of structured melodic lines that bring out the important sub-chords or "ajnas" of the maqam and establish its unique characteristic sound.
• A typical performance includes a solo singer, accompanied by a chorus of men with frame drums, the chorus singing a refrain which the soloist improvisationally answers through variation, paraphrasing, or transformation of the refrain, emphasising the characteristics of the respective maqam row or scale.
• A complete maqam concert is known as fasl (plural fusul) and is named after the first maqam: Bayat, Hijaz, Rast, Nawa, or Husayni.
• It is akin to a Western medieval tonus, an Andalusian tab', an Arab naġam (since 1400 "maqam"), or a Persian parde (since 18th-century dastgah).
• Despite their similar namings, the similarity when comparing Turkmen mukam and the Arabic classical tradition of maqam, together with Uzbek shashmakom and Azerbaijani mugam, is quite small.
• The Uighurs in Xinjiang (新疆) call this musical development muqam, the Uzbeks and Tajiks call it maqom (or shasmaqom), while Arabs call it maqam and Persians dastgah.
• Kodaparambu maqam, 6 kilometers from Ulickal (Ulikkal) and two Mosques (Sunni and Mujahid) within Ulickal Panchayath.
• In yet another meaning, maqam can be used for an improvised instrumental cadenza using a given musical mode (the vocal equivalent is called a mawwal, and is used for the petiħot interspersing the baqashot service).
• This maqam is used for Beshalach (Shabbat Shirah), Vayetze and Shofetim due to the happy occasions mentioned in those parashiyyot.
• He started music at a very early age, and learned the Kurdish maqam repertoire and tanbur (Kurdish lute) under the supervision of Kurdish masters such as Mirza Sayyed Ali Kafashyan, Kaki Allah Morad Hamidi and Sayyed Vali Hosseyni.
• In 1909, Hanauer documented his visit to "El 'Areija Om Esh-Sharif", or "the Little Lame Mother of Potsherds", a maqam (sanctuary) located on a steep hillside about a mile south of Bloudan.
• Sephardic music adapted to each of these locals, assimilating North African high-pitched, extended ululations; Balkan rhythms, for instance in 9/8 time; and the Turkish maqam mode.
• The maqam Ajam is constructed of two Ajam trichords with "whole step-whole step" pitch intervals and spacing similar to the 1-2-3 (or 5-6-7) scale degrees found in an equal-tempered Western major scale (although the Ajam trichord's third scale degree may be tuned just slightly flat of an equal-tempered third).
• Saffa houses the Sheikh Shihab ed-Din maqam, one of four dedicated to this seikh, found in Jaffa, Ramla, and Nazareth.
• In the Persian Dastgah, Arabic maqam and the Turkish makam, scales are made up of trichords, tetrachords, and pentachords (each called a jins in Arabic) with the tonic of a maqam being the lowest note of the lower jins and the dominant being that of the upper jins.
• He proceeds with working the maqam, confounding it, subtly morphing its identity into hybrid, genuine forms, loading every sound with the pangs of yet unborn maqams.
• It was a large Muslim cemetery whose main object was the "maqam" (symbolical tomb) of Malik al-Ashtar en-Nahai (618-658), a companion of khalif Ali Ibn Abi Talib (618-657), actually buried in Cairo, Egypt.

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