Definition, Betydelse, Synonymer & Anagram | Engelska ordet MARIMBA

Definition av MARIMBA

1. (slagverksinstrument) marimba

Exempel på hur man kan använda MARIMBA i en mening

• Today, the marimba is used as a solo instrument, or in ensembles like orchestras, marching bands (typically as a part of the front ensemble), percussion ensembles, brass and concert bands, and other traditional ensembles.
• The most common are struck idiophones, or concussion idiophones, which are made to vibrate by being struck, either directly with a stick or hand (like the wood block, singing bowl, steel tongue drum, handpan, triangle or marimba) or indirectly, with scraping or shaking motions (like maracas or flexatone).
• Despite its name, it is not a combination of a xylophone and a marimba; its name has been a source of confusion, as many composers have called for a 'xylorimba', including Alban Berg, Pierre Boulez and Olivier Messiaen, but for parts requiring only a four-octave xylophone.
• Unlike The Doors, Strange Days incorporates various instruments, ranging from marimba to Moog synthesizer, which has been described as one of the first uses of the synth in rock music history.
• A wide range of instruments was employed to achieve the album's sound, including marimba, accordion, double bass, trombone, and banjo.
• The band utilised more experimentation compared to their debut album, from vibraphone and marimba to the sound of a cigarette being lit and cracking ice cubes.
• Europeans brought polkas, waltzes, schottisches and quadrilles, while Africans brought numerous instruments and percussion-based musics, including marimba.
• Other well known jazz instrumentalists from the Garden State include Max Weinberg, drummer for Bruce Springsteen, Leigh Howard Stevens, a marimba musician who re-invented the way the instrument is played by pioneering the "Musser-Stevens Grip, "Nick Lucas, Joe Pass, Jimmy Lyons, Larry Young, Steve Swallow, George Van Eps, Buster Williams, Tony Scott, Bucky Pizzarelli, John Pizzarelli, David S.
• Wrapped mallets, mostly used on marimba, vibraphone, and other instruments with softer keys (though they can be used on more durable instruments as well), have heads of kelon, rubber, nylon, acrylic, or other medium-hard materials wrapped in softer materials like yarn, cord or latex.
• In its standard chamber version Tehillim is scored for four women's voices (one high soprano, two lyric sopranos and one alto), piccolo, flute, oboe, English horn, two clarinets, six percussion (playing 4 small tuned tambourines without jingles, clapping, maracas, marimba, vibraphone and crotales), two electronic organs, two violins, viola, cello and bass.
• Bebe Risenfors – Stroh violin (2), viola (3, 4, 6), clarinet (3, 5, 13), Baby Bass (5, 7), marimba (5), percussion (5), fiddle (8).
• Early members included bandleader Joe Hunter and Earl Van Dyke (piano and organ); Clarence Isabell (double bass); James Jamerson (bass guitar and double bass); Benny "Papa Zita" Benjamin and Richard "Pistol" Allen (drums); Mike Terry (baritone saxophone); Paul Riser (trombone); Robert White, Eddie Willis, and Joe Messina (guitar); Jack Ashford (tambourine, percussion, vibraphone, marimba); Jack Brokensha (vibraphone, marimba); and Eddie "Bongo" Brown (percussion).
• Robert Hutcherson (January 27, 1941 – August 15, 2016) was an American jazz vibraphone and marimba player.
• He played marimba instead of xylophone in the second session, accompanied by Benny Goodman in a rare performance on bass clarinet, Dick McDonough on guitar, and Artie Bernstein on double bass.
• Mike Dillon - vibraphone (2, 5, 9, 12), metal drum (2), percussion (2), tabla baya (3), pandeiro (3), electric bow & arrow (4), metal sounds (4), cuica (5), marimba (7, 10, 11), metal (9), tabla (12).
• ;Scoring for Cantata Mundi:2 flutes (1 doubling on piccolo), 2 oboes (1 doubling on English horn), 2 clarinets, 2 bassoons, 6 horns, 3 trumpets, 4 trombones, tuba, timpani, claves, cowbell, güiro, 2 cabasas, triangle, chenchen, Egyptian tabla, duhulla, tom-tom, cymbals, shekere, xylophone, glockenspiel, bass marimba, bongos, rek, udu pot, tablas, sticks, pandeiro, timbales, surdo, bass drum, tamtam, suspended cymbals, tambourine, recorder, strings (featuring on album are also the violin, electro-acoustic percussion and gemshorn).
• Jon Brion – vibraphone (1–3, 5–6, 9–10), guitar (1–2, 6, 10), tack piano (1, 3, 6, 9), marimba (2, 6), dulcitone (2), Chamberlin (4, 10), harp (8, 10), Optigan (8).
• Brian Jones – guitars (lead, slide and rhythm), mellotron, tambura, marimba, harmonica, backing vocals, recorder, piano, sitar (on all disc one tracks except "Gimme Shelter", "You Can't Always Get What You Want", "Wild Horses" and "Honky Tonk Women").
• Reflecting the band's brief foray into psychedelia and baroque pop balladry during the era, the album is among their most eclectic works; multi-instrumentalist Brian Jones frequently abandoned his guitar during the sessions in favour of instruments such as organ, marimba, dulcimer, vibraphone and kazoo.
• In Mexico, where it is known as marimbol is played in son jarocho; in the Dominican Republic, where it is known as marimba, it is played in merengue típico, and in Jamaica it is known as rumba box and played in mento.

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