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Exempel på hur man kan använda MOMA i en mening

  • The Museum of Modern Art (MoMA) is an art museum located in Midtown Manhattan, New York City, on 53rd Street between Fifth and Sixth Avenues.
  • That year was momentous for Frank, who, after meeting Edward Steichen, participated in the group show 51 American Photographers at the Museum of Modern Art (MoMA); he also married fellow artist Mary Frank (née Lockspeiser), with whom he had two children, Andrea and Pablo.
  • He has shown work internationally in many exhibitions including the Museum of Modern Art (MoMA) in New York, International Center for Photography in New York City, Les Rencontres d'Arles festival in France (2010), 18Gallery in Shanghai, Magda Danysz Gallery in Paris, Courtyard Gallery in Beijing, Institute of Contemporary Arts in London, Kunstnernes Hus in Oslo, the 2006 Gwangju Biennale in Korea and Pékin Fine Arts in Beijing.
  • After reviewing Eggleston's work (which he recalled as a suitcase full of "drugstore" color prints) Szarkowski prevailed upon the Photography Committee of MoMA to buy one of Eggleston's photographs.
  • The book is now in the MoMA collection, and in it he recorded the names and addresses of 460 clients; architects, interior decorators, builders and their artisans skilled in ironwork, wood panelling, door knockers, also painters, engravers, illustrators, and set designers, jewellers René Lalique and Weller, antiquarians and historians, artists including Tsuguharu Foujita, Maurice de Vlaminck and Georges Braque, well-known authors, editors, publishers Armand Colin and Hachette, and professors, including the many who donated their own collections of his photographs to institutions.
  • Newman's mature work is characterized by areas of color pure and flat separated by thin vertical lines, or "zips" as Newman called them, exemplified by Vir Heroicus Sublimis in the collection of MoMA.
  • Golub, and the group, gained notice in the 1950s, when art historian and curator Peter Selz featured him, Campoli and Cohen in a 1955, ARTnews article, "Is There a New Chicago School?", and included him, Campoli and Westermann in the 1959 Museum of Modern Art (MoMA) exhibition, New Images of Man, as examples of vanguard expressive figurative work in Europe and the United States.
  • At MoMA, LeWitt's co-workers included fellow artists Robert Ryman, Dan Flavin, Gene Beery, and Robert Mangold, and the future art critic and writer, Lucy Lippard who worked as a page in the library.
  • Street photography formed the major content of two exhibitions at the Museum of Modern Art (MoMA) in New York curated by Edward Steichen, Five French Photographers: Brassai; Cartier-Bresson, Doisneau, Ronis, Izis in 1951 to 1952, and Post-war European Photography in 1953, which exported the concept of street photography internationally.
  • Mathematical origami artwork by Erik and Martin Demaine was part of the Design and the Elastic Mind exhibit at the Museum of Modern Art in 2008, and has been included in the MoMA permanent collection.
  • Mark Wigley – directed the exhibition "Deconstructivist Architecture" at MoMA with Philip Johnson, former Dean (2004–2014).
  • A demonstration house set up in the MoMA garden in 1949 caused a flurry of interest in the architect's work, and an appreciation written by Peter Blake.
  • " "In an era of glamorously expressionist architecture," wrote Time critic Richard Lacayo, MoMA "has opted for a work of what you might call old-fashioned Modernism, clean-lined and rectilinear, a subtly updated version of the glass-and-steel box that the museum first championed in the 1930s, years before that style was adopted for corporate headquarters everywhere.
  • Langlands & Bell have exhibited internationally throughout their career including in exhibitions at Tate Britain and Tate Modern, the Imperial War Museum, the Serpentine Gallery, and the Whitechapel Art Gallery in London, at IMMA, Dublin, Kunsthalle Bielefeld, Germany, MoMA, New York, the Central House of the Artist, Moscow, the State Hermitage Museum, St Petersburg, Venice Biennale, Seoul Biennale, and CCA Kitakyushu and TN Probe, Tokyo, Japan.
  • Brinton immediately organized a solo exhibition, cosponsored by the CCAA and the interracial West Chester Community Center, and then connected him with MoMA curators Dorothy Miller and Holger Cahill and, by 1940, the Philadelphia art dealer Robert Carlen and collector Albert C.
  • His first notable exhibition was in Five Unrelated Photographers in 1963, also at MoMA in New York, along with Minor White, George Krause, Jerome Liebling, and Ken Heyman.
  • Szarkowski continued to write and curate exhibitions at MoMA and elsewhere, like Alfred Stieglitz at Lake George and Ansel Adams at 100.
  • Steichen also selected Ishimoto to be part of a group show of twenty-five emerging photographers in 1953, followed by a three-person exhibition at MoMA in 1961.
  • What would become MoMA PS1 was founded in 1971 by Alanna Heiss as the Institute for Art and Urban Resources Inc.
  • The Family of Man was an ambitious exhibition of 503 photographs from 68 countries curated by Edward Steichen, the director of the New York City Museum of Modern Art's (MoMA) department of photography.


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