Information om | Engelska ordet OVERO

Exempel på hur man kan använda OVERO i en mening

• Lethal white syndrome (LWS), also called overo lethal white syndrome (OLWS), lethal white overo (LWO), and overo lethal white foal syndrome (OLWFS), is an autosomal genetic disorder most prevalent in the American Paint Horse.
• And among the animal species: the tucan guazú (big toucan), guazutí, jacaré overo, mboi jagua and lobopé.
• The genetics of overo and sabino are not yet fully understood, but they can appear in the offspring of two solid-coloured parents, whereas a tobiano must always have at least one tobiano parent.
• The genetics of overo and sabino are not yet fully understood, but and can appear in the offspring of two apparently solid-coloured parents, whereas a tobiano must always have at least one tobiano parent.
• Unlike the genes underlying tobiano, dominant white, frame overo spotting and the Leopard complex common to the Appaloosa, the champagne gene does not affect the location of pigment-producing cells in the skin.
• The line-backed dun is the most popular color, but the breed may also come in bay, brown, black, chestnut, grullo, buckskin, palomino, blue or strawberry roan, gray and overo colors.
• Tovero: A mix of tobiano and any form of overo coloration, usually reflecting that the horse carries more than one set of genes for a spotting pattern.
• The most common usage refers to frame overo, but splashed white and sabino are also considered "overo".
• 3 Varii fiori del giardino musicale, overo Sonate da camera … aggiunta d'alcuni canoni, for 2 Violins, Viola and B.
• Concetti politici (1583) found in Propositioni, overo considerationi in materia di cose di Stato, sotto titolo di avvertimenti, avvedimenti civili et concetti politici (1588).
• The Tovero (also known as Tobero) coloration is a mix of tobiano and overo colorations in Pinto horses and American Paint Horses.
• A similar effect is observed in pinto horses with both the tobiano and frame overo pattern; these "toveros" often have more white than either tobiano or frame overo-patterned horses.
• Horses with excessive white, including "bald face" or full white faces, white above the knees or hocks, or showing pinto markings (including tobiano, overo and sabino) are instead registered with the Spotted Mountain Horse Association (SMHA), a subsidiary of the KMSHA.
• The physician and court singer Giovanni Camillo Maffei was the first writer on vocal pedagogy to incorporate knowledge of the physiology of the voice into a theory of singing in his treatise Discorso delta voce e del modo d'apparare di cantar di garganta, and Scala naturale, overo Fantasia dolcissima, intorno alle cose occulte e desiderate nella filosofia (Venice, 1564).
• The APHA currently registers horses that exhibit the overo (which, under APHA categories, includes sabino), tobiano, and tovero spotting patterns, as well as solid colored horses with Paint bloodlines.
• The overo gene is one of the most frequent genetic sources of cropouts in Paint horses, as there are some forms of overo that are recessive genes, and a significant number of cropout Paints are overos.
• In 1677 he published La Marchesa d'Hunsleij, overo l'Amazone scozzese ("The Marchioness of Huntly, or the Scottish Amazon"), a romanticised hagiographic biography of Lady Margaret Gordon, mother of the Scottish-born Capuchin friar John Forbes (1570/71–1606), that passed through eighteen editions before his death, and was reprinted as late as 1723.
• Il Palazzo incantato (The Enchanted Palace) or Il Palagio d’Atlante, overo La Guerriera Amante (The Palace of Atlantes, or The Warrior Woman in Love), or also Lealtà con valore (Loyalty with Bravery) is an opera in a prologue and three acts by the Italian composer Luigi Rossi.
• La Santa Genuinda, overo L'innocenza difesa dall'inganno (3° atto) (dramma sacro per musica, libretto di Pietro Ottoboni, basato su Santi di Fiandra di Molano, 1694, Roma; in collaborazione con Giovanni Lorenzo Lulier (1° atto) e Alessandro Scarlatti (2° atto)).
• Il perché musicale, overo staffetta armonica nella quale la ragione scioglie le difficoltà, e gli esempi dimostrano il modo d'isfuggire gli errori, e di tessere con artificio i componimenti musicali; opera del canonico D.

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