Information om | Engelska ordet PANATHENAIC


PANATHENAIC

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Exempel på hur man kan använda PANATHENAIC i en mening

  • The new design features the Panathenaic Stadium in Athens rectifying the long-running mistake of using a depiction of the Roman Colosseum rather than a Greek venue.
  • As the birthplace of Athena is Lake Tritonis in North Africa, Athenians did not contest North Africans to also participate in the Panathenaic games since they considered them to have a similar culture of that of Hellenists, one example of this is prince Mastanabal of Numidia the son of Masinissa, who won for Numidia 4 gold Medals in chariot racing.
  • The layout of the agora was centered around the Panathenaic Way, a road that ran through the middle of Athens and to the main gate of the city, Dipylon.
  • His brother Hipparchus, who may have ruled jointly with him, was murdered by Harmodius and Aristogeiton (the tyrannicides) in 514 BC during the Panathenaic festival.
  • Hipparchus then invited Harmodius' sister to participate in the Panathenaic Festival as kanephoros only to publicly disqualify her on the grounds that she was not a virgin.
  • Nagy, Gregory, Plato's Rhapsody and Homer's Music : The Poetics of the Panathenaic Festival in Classical Athens (Harvard University Press, 2002).
  • One side of the throne includes a relief showing an olive tree and a table on which rests set of wreaths and a Panathenaic amphora.
  • Not all were purely utilitarian; large Geometric amphorae were used as grave markers, kraters in Apulia served as tomb offerings and Panathenaic Amphorae seem to have been looked on partly as objets d'art, as were later terracotta figurines.
  • The stoa was located at the northwest corner of the Agora, on the left (north) side of the Panathenaic Way as one entered the Agora.
  • The idea of staging Pan-Germanic athletic games here was perhaps suggested by the Panathenaic Games, but Speer's stadium was, despite his own statement, stylistically more Roman than Greek in inspiration and with its huge barrel-vaulted substructures and arcaded exterior façade, more like the Circus Maximus than the Panathenaic Stadium.
  • In 137 AD, the Panhellenic Games were held at Athens as part of the ideal of Panhellenism and harking back to the Panathenaic Festival of the fifth century.
  • The scene of Xenophon's Symposium, and also that of Plato's Protagoras, is set at Callias' house during a banquet hosted by him for his beloved Autolykos in honour of a victory gained by the handsome young man in the pentathlon at the Panathenaic Games.
  • Apulian potters, having a taste for the frilly and elaborate, take traditional forms such as the Panathenaic amphora, the oinochoe, the lekythos, attenuate their forms, exaggerate their flares, add volute handles, molded gorgoneia, affectionately dubbed "macaroons", and end up with extremely elegant new varieties of pottery which still fit within the Hellenistic aesthetic, and end up becoming standard in the subsequent Graeco-Roman world.
  • There are also many more amphoras and vases, including a funerary amphora from the coastal necropolis of Eretria dated to 560 BC which depicts the battle between Herakles and Centaurs on the front and Potnia Theron (Mistress of the Animals) on the rear, and a Panathenaic amphora dated to around 363-362 BC.
  • To the west, was a poros water channel in the Classical period and then the Early Roman Stoa, which ran along the Panathenaic Way in a northwesterly direction towards the Dipylon Gate.
  • Apart from late Panathenaic prize amphorae, it is the only substantial group of figurally or ornamentally painted vases in the Greek world of the 3rd century BC (the rare Centuripe ware vases from Sicily continued even later).
  • Among the works reproduced faithfully from museums like the Louvre, Vatican or British Museum: the Panathenaic Frieze of the Parthenon, the Slaves and the Moses of Michelangelo, the Venus de Milo, the Winged Victory, the Laocoön Group, the Apoxyomenos, Gabies's Diana and Apollo Belvedere, among others.
  • The inclusion of both Athena Promachos and the Panathenaic Pankration in this prize amphora combines his two most popular subjects into one cohesive work.


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