Anagram & Information om | Engelska ordet PERDUES


PERDUES

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Exempel på hur man kan använda PERDUES i en mening

  • Among his later works are a series Chninkel (with Van Hamme) started in 1987 and a 1992 series titled La complainte des landes perdues (with Jean Dufaux).
  • In 2000, the redevelopment of the place Gérald-Godin surrounding the station included the addition of a work of art, a poem by Gérald Godin bricked into the façade of a building, by the art collective Les Industries perdues.
  • Two more titles, The Lost Legions (Les légions perdues), and The Altar of Fire (Le dernier Spartiate) were also projected for publication that year, but never appeared.
  • Revivals at the theatre on the Place du Châtelet included a new, more faithful translation of Weber's Der Freischütz (now called Le Freischütz), first performed on 8 December 1862; the four-act Peines d'amour perdues, a highly adapted version of Mozart's Così fan tutte that starred Constance-Caroline Faure-Lefebvre and Marie Cabel and was first performed on 31 March 1863, but only received 18 performances; Grétry's two-act L'épreuve villageoise (11 September 1863; 48 performances); Verdi's Rigoletto (24 December 1863; 243 performances); Bellini's Norma (14 June 1864; 8 performances); Donizetti's Don Pasquale (9 September 1864; 35 performances); Verdi's La traviata, performed under the title Violetta with Christine Nilsson in the title role (27 October 1864; 102 performances); Mozart's The Magic Flute, performed as La flûte enchantée with Christine Nilsson as the Queen of the Night and Delphine Ugalde as Papagena (23 February 1865; 172 performances); Verdi's Macbeth (21 April 1865; 14 performances); Flotow's Martha with Christine Nilsson as Lady Henriette (18 December 1865; 163 performances); and Mozart's Don Giovanni, performed as Don Juan, with Anne Charton-Demeur as Donna Anna, Christine Nilsson as Donna Elvire, and Caroline Miolan-Carvalho as Zerline (8 May 1866; 71 performances).
  • As principal conductor at the Théâtre-Lyrique he conducted an important series of revivals of Mozart operas, starting with The Marriage of Figaro (as Les noces de Figaro) in May 1858 (he also conducted the premiere at the Opéra-Comique in 1872), then in May 1859 Die Entführung aus dem Serail (as L’Enlèvement au Sérail), Così fan tutte (as Peines d’Amours perdues) in March 1863, The Magic Flute (as La flûte enchantée) in February 1865, and Don Giovanni (as Don Juan in a translation by Henri Trianon) in 1866.
  • She became a principal singer at the Théâtre Lyrique in Paris in 1853, creating many roles including Margot in Le diable à quatre by Solié/Adam in 1853, Columbine in Le tableau parlant by Grétry in 1854, Nancy/Aenchen in Robin des Bois by Weber in 1855, Pétronille in Le sourd ou l’auberge pleine by Adam in 1856, Antonio in Richard Coeur-de-lion by Grétry in 1856, Fatime in Oberon by Weber in 1857, Barbarina in Les noces de Figaro in 1858, Florette in Les rosières by Hérold in 1860 and Papillon/Despina in Peines d’amours perdues by Mozart/Shakespeare in 1863.
  • He also authored les nouvelles amoureuses et exemplaires ; Aymer sans sçavoir qui, comedy ; La Coifeuse à la mode, comedy ; les Fausses Véritez, comedy ; les Morts vivants, tragicomedy ; l'Esprit follet, comedy ; la Fouyne de Séville, ou l'hameçon des bourses ; l'Absent chez soy ; l'Élite des contes ; les Contes aux heures perdues ou Le recueil de tous les bons mots, réparties, équivoques du sieur d'Ouville ; Jodelet astrologue, encouraged by Scarron's success.
  • Balzac was the subject of vehement critiques for his iniquitous treatment of prostitutes through Coralie, heroine of Illusions perdues, Esther, heroine of Splendeurs et misères des courtisanes and in Le Père Goriot.
  • Notably, this is the case with Henri Iselin (Légendes des cités perdues, 1964), Jean Markale ("La ville engloutie ou le mythe celtique des origines" in Les Celtes, 1969), the storyteller Yann Brékilien who re-uses the "fairy Malgven, queen of the North" as the mother of Dahut (Contes et légendes du pays breton, 1973), Michel Le Bris (for his play Ys, dans la rumeur des vagues, 1985), Françoise Gange (La ville plus basse que la mer, 1988) and Christian Querré (La légende de la ville d'Ys, 1996).


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