Information om | Engelska ordet PERSPECTIVAL

Exempel på hur man kan använda PERSPECTIVAL i en mening

• The work moves into the realm "beyond good and evil" in the sense of leaving behind the traditional morality which Nietzsche subjects to a destructive critique in favour of what he regards as an affirmative approach that fearlessly confronts the perspectival nature of knowledge and the perilous condition of the modern individual.
• This contemporary form of perspectivism, also known as scientific perspectivism, is more narrowly focused than prior forms—centering on the perspectival limitations of scientific models, theories, observations, and focused interest, while remaining more compatible for example with Kantian philosophy and correspondence theories of truth.
• Movable type, with its ability to reproduce texts accurately and swiftly, extended the drive toward homogeneity and repeatability already in evidence in the emergence of perspectival art and the exigencies of the single "point of view".
• In the custard-color Ice Blink (1989), a tiny sliver of red at the bottom of the painting is enough to set up perspectival depth, as is a single bar of purple at the bottom of the otherwise sky-blue Memory (1981).
• The sacra conversazione developed as artists replaced earlier hieratic and compartmented triptych or polyptych formats for altarpieces with compositions in which figures interacted within a unified perspectival space.
• Similar arguments can be made to support the theory of egocentric presentism (or perspectival realism), which holds that there is a distinguished, present self.
• Vincent Conitzer argues that A-theory is related to Benj Hellie's vertiginous question and Caspar Hare's ideas of egocentric presentism and perspectival realism.
• There are weaker versions of metaphysical solipsism, such as Caspar Hare's egocentric presentism (or perspectival realism), in which other persons are conscious but their experiences are simply not present.
• Phantograms use perspectival anamorphosis to produce a 2D image that is distorted in a particular way so as to appear, to a viewer at a particular vantage point, three-dimensional, standing above or recessed into a flat surface.
• Agostino Mitelli (16 March 1609 – 2 August 1660) was an Italian painter of the Baroque period and best known as a fresco painter of quadratura or illusionistic perspectival architectural frameworks.
• His use of diagonals in the composition and perspectival abbreviation, the illusive use of foreshortening and the avoidance of a conventional backdrop are prominent in a work such as the Card players (Royal Museum of Fine Arts Antwerp).
• Each touches the floor at one end and then angles up, recalling both the slanted negative space of his "squashed box" pieces (Fayette, Troika), and the exaggerated perspectival lunges of Zeus and Wakanhdi, which extend and flatten space all at once.
• Central to this interpretation was the reexamination of the “doctrine” of the will to power found in Nietzsche's work, turning it from a metaphysical doctrine (as in Heidegger's interpretation) into a theory of a plurality of will-to-power quanta dynamically interacting with one another in processes with an inherently contradictory and perspectival character.
• The concept of centered worlds has epistemic as well as metaphysical uses; for the latter, the three components of a centered world have connections to theories such as actualism, solipsism (especially egocentric presentism and perspectival realism), and presentism, respectively.
• Indeed, the wartime distillation of Metzinger's Cubism came with an acceleration in the type of games that could be played tactically with paradox by manipulating conflicting predications of planimetric flatness and the perspectival depth of space.
• According to Bubbio, a philosophical interpretation of the concept of kenosis involves the relinquishment of absolute standpoints in favour of a perspectival conception, advocating for mutual recognition in the pursuit of knowledge and ethical de-centering.
• Compared with the Vyšší Brod panels, the Kłodzko Madonna shows several important innovations, especially in the perspectival projection of the throne, the accentuating of spatial depth through the colour-based graduating of areas, the modelling of the high relief of the drapery and in the overall human warmth of the presentation from which the entire typology of Bohemian loving Madonnas was developed right through to the early 15th century.

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