Anagram & Information om | Engelska ordet PIU

Exempel på hur man kan använda PIU i en mening

• Before the modern concept and notation of metric modulations composers used the terms doppio piu mosso and doppio piu lento for double and half-speed, and later markings such as:.
• After the third time the chords are repeated, a continual accelerando passes through allegretto and allegro sections to a piu mosso section.
• While Aron was known as a composer and frequently refers to his own works in his writings, only one possible composition of his survives, the doubtfully attributed four-voice frottola, "Io non posso piu durare", from Petrucci's Fifth Book of Frottole (1505).
• The song has also been recorded by Lucia Altieri (it) (rendered in Italian as "Non ti scuso piu"), Aretha Franklin, Nancy Holloway (fr) (rendered in French as "Bye Bye"), Claudine Longet, Barbara McNair, Melba Moore, Dara Sedaka, and Helen Shapiro.
• … comintio avanzare in eta e si come laudato a dio che ho fatto il primo e il piu difficile fondamento di questo mio negotio che mi da pane cotidiano e che va dun giono a l’altro sempre di bene in meglio, il mio bramo col tempo sarebe di vedere in mia piaza un giovine proprio di podere continuare e reduplicarlo ….
• Its author writes that the Bratonožići, Piperi, Bjelopavlići and Kuči:" nulla di meno essegno quasi tutti del rito serviano, e di lingua Illrica ponno piu presto dirsi Schiavoni, ch' Albanesi " (since almost all of them use the Serbian rite and the Illyric (Slavic) language, soon they should be called Slavs, rather than Albanians).
• A destination for travelers during ancient times, San Casciano dei Bagni is a member of a group of communities that are identified to modern tourists as the "prettiest Italian villages" (borghi piu belli d'Italia).
• Cento favole bellissime de i piu illustri antichi, e moderni autori Grece, e Latini (100 Fables, 1570).
• Nella quale cominciandosi dall’edificatione di essa citta, brevemente si raccontano le cose piu notabili succedute di tempo in tempo cosi in pace, come in guerra, (Mantua: Benedetto Osanna, 1607).
• The song of the Stranger in the second scene is adapted to the "Serenade" in The Barber of Seville; the song of the Padrona in the fourth scene is set to the "Non piu mesta" of La Cenerentola; the duet in the fifth scene to "La dove prende Amor recetto" of The Magic Flute; the "Cavatina" in the sixth scene to the "Di pescator" of Lucrezia Borgia; the aria of the seventh scene, to the "Madamina" of Don Giovanni; the chorus of scene eight to the "Guerra, Guerra" of Norma; the duet of scene nine to the "O sole piu ratto" of Lucia di Lammermoor; the "Cavatina" of scene ten to the "Meco all'altar" of Norma; the chorus of the same scene to the "Bando, Bando" of Lucrezia Borgia, and the trio which follows, to the "Guai se tu sfoggi" of the same opera; the piece concludes with the aria to "Vieni!", from Donizetti's La favorite.
• Its author writes that the Bratonožići, Piperi, Bjelopavlići and Kuči:" nulla di meno essegno quasi tutti del rito serviano, e di lingua Illrica ponno piu presto dirsi Schiavoni, ch' Albanesi " (since almost all of them use the Serbian rite and the Illyric (Slavic) language, soon they should be called Slavs, rather than Albanians).
• Canto of the Missing: Tempo comodo con una tensione latente / Meditativa, come se fosse stato intossicato dalla marijuana un pochino piu veloce (qualcosa dal nulla nulla).

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