Anagram & Information om | Engelska ordet RENKU

Exempel på hur man kan använda RENKU i en mening

• Yamazaki Sōkan compiles the Shinseninutsukubashū, a significant anthology of Japanese renku poetry (from which haiku will develop).
• Kigo are used in the collaborative linked-verse forms renga and renku, as well as in haiku, to indicate the season referred to in the stanza.
• Haikai Shichibushū: the conventional name for seven anthologies collecting Matsuo Bashō and his disciples' renku.
• Haikai – the genre which encompasses renku and related forms such as haiku, senryū, haiga and haibun.
• is the opening stanza of a Japanese orthodox collaborative linked poem, renga, or of its later derivative, renku (haikai no renga).
• Ross's original English language haiku, senryū, haibun, tanka, haiga, and collaborative renku have appeared in international haiku journals, as have his reviews and articles.
• It is a development of traditional Japanese renga and renku, but unlike these it does not adhere to traditional strictures on length, rhythm, and diction.
• The lyrics to "Sumiregusa" are inspired by hokku, the opening stanza to the Japanese form of poetry renga and renku, written by the poet Matsuo Bashō who once felt his heart leap "at the sight of a wild violet".
• This concept is applied to elements of the Japanese tea ceremony, to kendō, to the traditional theatre, to Gagaku, and to the traditional collaborative linked verse forms renga and renku (haikai no renga).
• Haikai (Japanese 俳諧 comic, unorthodox) may refer in both Japanese and English to haikai no renga (renku), a popular genre of Japanese linked verse, which developed in the sixteenth century out of the earlier aristocratic renga.
• The Haiku Society of America is well known for its annual contests for haiku, senryū, haibun, renku, and renga, as well as the Merit Book Awards for the best haiku books published each year.
• Sōin's haikai (comical renga) became the transition between the light and clever haikai of Matsunaga Teitoku and the more serious and aesthetic renku of Matsuo Bashō.
• This concept is applied to elements of the Japanese tea ceremony, martial arts (kenjutsu, iaido, kendō, karate), dramatic structure in the traditional theatre, and to the traditional collaborative linked verse forms renga and renku (haikai no renga).
• It is regarded as a requirement in traditional haiku, as well as in the hokku, or opening verse, of both classical renga and its derivative renku (haikai no renga).
• Haikai Kakidome recorded the hokku (starting verse of a renku) and haikus of Basho and Sora during their journey and the haiku meetings during their journey.
• It contains four kasen renku as well as some 400 hokku, collected by Nozawa Bonchō and Mukai Kyorai under the supervision of Matsuo Bashō.
• It is published electronically three times per year and consists of English-language haiku and senryu, linked forms including sequences, renku, rengay, and haibun, essays and articles on these forms, and book reviews.

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