Definition, Betydelse, Synonymer & Anagram | Engelska ordet SAD

Definition av SAD

1. ledsen, nedstämd, sorglig, tragisk

Exempel på hur man kan använda SAD i en mening

• January 17 – Anton Chekhov's last play, The Cherry Orchard («Вишнëвый сад», Vishnevyi sad), opens at the Moscow Art Theatre directed by Constantin Stanislavski, 6 month's before the author's death.
• can be used to suggest a character's state of mind, whether that be happy with bright colors, or sad with darker colors.
• By extension, the term gift can refer to any item or act of service that makes the other happier or less sad, especially as a favor, including forgiveness and kindness.
• His character in contemporary popular culture—in poetry, fiction, and the visual arts, as well as works for the stage, screen, and concert hall—is that of the sad clown, often pining for love of Columbine (who usually breaks his heart and leaves him for Harlequin).
• This breed, like its ancestor the Bloodhound, has a hanging skin structure, which causes the face to tend to have a sad look; this, for many people, adds to the breed's charm.
• This definition suggests a continuum between (real-world) empiricism and (supernatural) transcendentalism, with science fiction films on the side of empiricism, and happy films and sad films on the side of transcendentalism.
• At the end of his final bulletin, Henderson's voice wavered as he told viewers it was time to watch the news, not present it:

  Not the way it was, as has been suggested, but for the last time, the way it is, this Friday the 29th of November, this is Brian Henderson, a sad Brian Henderson, saying not good night, this time, but goodbye.

• Hungarian historian Sebestyén Tinódi wrote in 1554 that "there are many gusle players here in Hungary, but none is better at the Serbian style than Dimitrije Karaman", and described Karaman's performance to Turkish lord Uluman in 1551 in Lipova: the guslar would hold the gusle between his knees and go into a highly emotional artistic performance with a sad and dedicated expression on his face.
• However, this was challenged by the shellshock problem after World War I – there was a fundamental incompatibility between a eugenic view of lunacy and the sad reality of respectable men breaking down with predictable regularity in the war trenches.
• John Ireland was described as "a self-critical, introspective man, haunted by memories of a sad childhood".
• This delusion drags in its train the individual and social woes which for two centuries have tortured sad humanity.

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