Definition & Betydelse | Engelska ordet SATIRISES

Definition av SATIRISES

1. böjningsform av satirise

Exempel på hur man kan använda SATIRISES i en mening

• "The Spanish Inquisition" is an episode and recurring segment in the British sketch comedy TV series Monty Python's Flying Circus, specifically series 2 episode 2 (first broadcast 22 September 1970), that satirises the Spanish Inquisition.
• The play, celebrated for its wit and repartee, parodies contemporary dramatic norms, gently satirises late Victorian manners, and introduces – in addition to the two pairs of young lovers – the formidable Lady Bracknell, the fussy governess Miss Prism and the benign and scholarly Canon Chasuble.
• Mornington Crescent is an improvisational comedy game featured in the BBC Radio 4 comedy panel show I'm Sorry I Haven't a Clue (ISIHAC), a series that satirises panel games.
• In these poems he satirises city life and the scandalous activities of his acquaintances, and romanticises his provincial upbringing.
• The novel satirises some shortcomings of both government and society, including the institution of debtors' prisons, where debtors were imprisoned, unable to work and yet incarcerated until they had repaid their debts.
• On its publication, the play was introduced by a preface, in which the author satirises L'Optimiste of his rival Jean François Collin d'Harleville, whose Châteaux en Espagne had gained the applause which Fabre's Présomptueux (1789) had failed to win.
• He was heavily influenced by his close friend Zhang Chongren, a Chinese student studying in Belgium, and the work both satirises common European misconceptions about China as well as criticising the actions of the Japanese invaders.
• The TV series W1A satirises the goings-on at the BBC's Broadcasting House in Portland Place, whose memorable postcode is W1A 1AA.
• It satirises the bright young things, the rich young people partying in London after World War I, and the press which fed on their doings.
• It satirises religious hypocrisy and the narrowness of country life, but was denounced from a London pulpit as immoral.
• The play satirises the rituals of bereavement, and the mismatch between nominal standards of behaviour—religious and secular—and people's actual conduct.
• His novel Humours Unreconciled: A Tale of Modern Japan, published in 1928, satirises the expatriate community in Tokyo in the 1920s and comments on the perceived prevalence of suicide in Japan through the tale of an extramarital affair and a murder misrepresented as a suicide.
• "Come Out, Ye Black and Tans" is an Irish rebel song, written by Dominic Behan, which criticises and satirises pro-British Irishmen and the actions of the British army in its colonial wars.
• The opera is a satire on the aesthetic movement of the 1870s and '80s in England and, more broadly, on fads, superficiality, vanity, hypocrisy and pretentiousness; it also satirises romantic love, rural simplicity and military bluster.
• A print by James Gillray from 1795 entitled "Substitutes for bread; or Right Honourables saving the Loaves and Dividing the Fishes" satirises the notion that potato is a delicious alternative for flour by showing a group of MPs avoiding potato bread and instead eating fish and sirloin steaks covered in coins.
• The song "Man's Not Hot" by comedian Michael Dapaah under the pseudonym Big Shaq, which satirises UK drill music, utilises MLE.
• The special mocks and satirises aspects of Blyton's writing, most notably the dated sexism, racism and class snobbery of the Famous Five books (the Five make racist remarks about a porter at the railway station when they are picked up by Aunt Fanny, repeated remarks about Anne as a "proper little housewife") and the formula of the young adventurer genre (most notably kids overhearing criminals discuss their plans, which are portrayed as characters stating "blah blah blah" and key plot elements).
• Mohsin's sister, Moni Mohsin, satirises the country's social elites with another column for the paper, "Diary of a Social Butterfly".
• While The Black Adder satirises the supposedly unquestioning credulity of the Mediaeval Christian, Lewis suggests that Chaucer's story, by offering a satirical commentary on the relic trade, shows that the teachings of the Church were open to question and ridicule even in the 14th century.
• Using an ironically literarily aware narrator, the novel also satirises the Romantic obsession with love and the description of passion; Alencar critiques both suitors' behaviour and shows both to be fantasising, and both to be fixated on Amélia's shape, while Amélia herself is aware of Horacio's obsession and arranges the misleading appearance of the deformed foot—which belongs to someone else—to test him.

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