Anagram & Information om | Engelska ordet SLENDRO

Exempel på hur man kan använda SLENDRO i en mening

• The slendro scale is thought to be brought to Srivijaya by Mahayana Buddhists from Gandhara of India, via Nalanda and Srivijaya from there to Java and Bali.
• Colvig and Harrison built two large "double" gamelan (meaning that there were instruments in both the pelog and slendro tunings).
• By the mid seventies the ensemble had grown to full complement of instruments tuned in both pelog and slendro.
• There are two tuning systems in Javanese gamelan music, slendro (pentatonic) and pelog (heptatonic in full, but focusing on a pentatonic group).
• Each is tuned to a specific pitch in the appropriate scale; thus there are different bonang for pelog and slendro.
• Kepatihan is widely used in ethnomusicological studies of the gamelan, sometimes accompanied by transcriptions into Western staff notation with approximate mapping of slendro and pelog tuning systems of gamelan onto the western staff, with and without various symbols for microtones.
• Some of the direct transpositions of balungan: from manyura to sanga by dropping notes one scale degree; from manyura to pelog barang by changing pitch one to seven, and altering 2126 to 2756; from slendro sanga to pelog nem by playing the slendro balungan in pelog.
• Other septimal commas include 49/48 (occasionally called the slendro diesis), which commonly appears as the difference between a ratio with 7 in the denominator and another with 7 in the numerator, like 8/7 and 7/6; and 50/49, called the tritonic diesis, because it is the difference between the two septimal tritones, 7/5 and 10/7, or Erlich's decatonic comma, because it plays an important role in the ten-tone scales of Paul Erlich (the intervals are tempered so that 50/49 vanishes).
• It is a bronce Javanese slendro gamelan, but it started to be used and became active since young Mexican music students were convened by Fitra Ismu Kusumo, an Indonesian student in Mexico, and began using and playing this gamelan in 2002 and founded the group Indra Swara.
• A previous Javanese slendro set, Kyai Muntjar Basuki (Venerable Sparkling Fountain) is used for wayang.
• Those who taught the gamelan classes were Esteban Gonzales, Huitzilin Sanchez and Fitra Ismu, borrowing the Surakartan style pelog slendro Javanese gamelan from the Indonesian embassy in Mexico.

Förberedelsen av sidan tog: 202,55 ms.