Definition & Betydelse | Engelska ordet SOIRÉE

Definition av SOIRÉE

1. soaré

Exempel på hur man kan använda SOIRÉE i en mening

• Perot is sympathetic and, finding that she has no friends or family in Paris, invites her to a soirée his wife is throwing for a "few friends" (primarily professors and their wives).
• One of its first public performances was by the Adelaide Liedertafel, conducted by Herr Linger, for a South Australian Institute soirée at White's Rooms, King William Street, Adelaide, on 14 December 1859.
• Despite its unconventional composition, the libation garners favor with the salesman, misconstrued as Scotch, prompting him to entreat the Stooges to masquerade as Scotsmen and attend a soirée at his employer's residence.
• Their machinations, laced with gleeful amorality, result in their inevitable hiring to rectify the very chaos they have orchestrated, all while discreetly masquerading as guests so as not to disrupt the soirée.
• "Ce matin va être une pure soirée" is a single featuring Big Ali, PZK, Dogg SoSo, and Chris Prolls released in June 2010 to promote the film Fatal, starring Fatal Bazooka.
• She played the title role in Alceste by Gluck with Carl Stenborg and Kristofer Kristian Karsten (season 1780–81); Anguelique in Roland by Philippe Quinault with Stenborg and Karsten (1781–82); Iphigenie in Iphigénie en Tauride by Gluck with Stenborg and Karsten; Christina Gyllenstierna in Gustaf Vasa by Gustav II composed by Naumann with Stenborg and Karsten (1785–86); Armide in Armide by Quinault with Stenborg and Karsten (1786–87); Christina of Holstein-Gottorp in Gustaf Adolf och Ebba Brahe (Gustav Adolf and Ebba Brahe) by Gustav III with Franziska Stading, Stenborg and Karsten (1787–88); Prosper in Azémia by Nicolas Dalayrac with Abraham de Broen and Karsten (1792–93); Aretea in Alcides inräde in världen (Alcides arrival into the world) by Haeffner with Carl Fredrik Fernstedt and Marie Louise Marcadet; Georgino in La soirée orageuse by Dalayrac with Abraham de Broen and Kjell Waltman; Josef in Les deux petits savoyards by Dalayrac with Kristofer Kristian Karsten and Marie Louise Marcadet (1793–94); Malena in De gamla friarna (The old Suitors) by Dalayrac with Kjell Waltman, Carl Magnus Craelius, Maria Franck and Inga Åberg; Lisette in Renaud d'Ast by Dalayrac with Karsten (1795–96); Colombine in Le tableau parlant by André Grétry with Carolina Kuhlman (1798–99); and Dido in Aeneas in Carthago (Aeneas in Carthage) with Stenborg and Karsten (1799–1800).
• The crowds reached as far as the Place du Carrousel on at least one night, disrupting a gala soirée at the Tuileries Palace, although the emperor remained impassive in the face of a stream of telegrams and Émile Waldteufel's baton was steady.
• Best Film:
  Thérèse, directed by Alain Cavalier
  37°2 le matin, directed by Jean-Jacques Beineix
  Jean de Florette, directed by Claude Berri
  Mélo, directed by Alain Resnais
  Tenue de soirée, directed by Bertrand Blier.
• This royal association continued until recent times with the Queen Mother being the patron of the soirée – the post opera comedy night – until her death in 2002 (the post has remained unfilled following its failure to be won in the post-soirée raffle of the same year).
• Over the course of the album, the themes that are played out include O'Neal's advances towards a particular woman in the room ("What Can I Say to Make You Love Me"), as well as his observations on other attendees of the party – for instance a courting couple ("The Lovers"), a spiteful gossip-monger ("Hearsay"), a loudmouth – implied to be a groupie ("Fake"), and a nagging ex-lover ("Criticize"), unrequited admiration ("Crying Overtime"), and culminating in the finale ("When the Party's Over"), where O'Neal finally persuades the woman to stay at the conclusion of the soirée.
• An 1851 concert review mentioned his impending move to Boulogne: "O'Kelly est une jeune pianiste qui est venu se fixer ici, et qui est arrivée précédé d'une reputation qui la soirée de lundi n'a fait que justifier".
• 1849: Lorettes et aristos ou Une soirée au Ranelagh, tableau-vaudeville in 1 act, with Paul Siraudin.
• Christian Allaire of Vogue stated the "matchy-matchy outfits are what truly make this slumber party soirée one to remember".

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