Definition & Betydelse | Engelska ordet TAFFETA

Definition av TAFFETA

1. taft

Exempel på hur man kan använda TAFFETA i en mening

• Isabella's wardrobe indicates her wealth and style – she has dresses of silk, velvet, taffeta and cloth along with numerous furs; she has over 72 headdresses and coifs.
• An inventory of a chest of Margaret Douglas's clothes includes a purple velvet night gown with gold passementerie lined with red taffeta, a gown of black cloth of gold with gold passementerie lined with black taffeta, and other gowns and kirtles.
• The sets of the first production, designed by artist Florine Stettheimer, included innovative cellophane backdrops and brilliant pure white lighting, and the costumes (also Stettheimer's) were of colorful lace, silk and taffeta.
• There are records of her clothing, including, in June 1506; a gown of brown or russet cloth bordered with velvet, with velvet sleeves lined with taffeta, a satin kirtle or skirt, a hat and a tippet, a veil of "crisp", and ribbons for her hair.
• Although synthetic fabrics are now sometimes used, the most common fabrics are satin, silk, taffeta and velvet with trimmings of lace, pearls, sequins, embroidery, ruffles, ribbons, rosettes and ruching.
• In addition, the jewelry would be worn along with hats: velvet, lace, or horsehair; little turbans or close-fitting caps of brocade, taffeta, or satin.
• Time Out (London) wrote that they 'stole the show' by standing out as snakeskin heroes amongst all the taffeta and tuxedos.
• From the 1980s onward, Gunne Sax dresses tended to follow modern prom dress sensibilities, such as tight, strapless bodices and full skirts, favoring fabrics like satin, taffeta, and tulle.
• This doll, who came wearing a jewel-toned taffeta floor-length gown, was different from previous Crissy models as it employed a mechanical apparatus, set in motion by pulling a pull-string.
• In fact, velvet, taffeta and silk from Kashan, Isfahan and Yazd made up over seventy percent of the goods transported to Russia in the sixteenth century.
• On display are lovely examples of 1950s evening dresses including the daughter's dress, c1950, which is made of black machine made cotton lace over black taffeta with festoon and raised flower decorations made of sequins and beads and pink nylon "horsehair" rosettes with pearlised edges, made by the Cruikshank Salon, Greensmith Downes, Princes Street.
• The countess's clothes included; a night gown of black velvet with gold passementerie, worth £400 Scots; a skirt and doublet of cloth of gold figured on blue velvet, worth £400 Scots; a "wastryn" or vasquine skirt of cloth of gold valued at £600 Scots; and a cloak of grosgrain taffeta furred with grey rabbit skins worth £100.
• To soften the cornice line of the room, Boudin chose blue silk taffeta with black and gold trim in a Baroque Revival design which he formed into a continuous valance hung just below the cornice molding.
• Costume was bought for a masque at Alloa in which Anne of Denmark performed, dressed in silk taffeta and "gold tock", a kind of tinsel fabric.
• A pair of late eighteenth-century tureens on the mantel are glazed in red and green slip and are the source for the green and red striped silk taffeta draperies.
• A caparison made of red taffeta for the horse James VI of Scotland in June 1591 may have been intended for a masque performed at Tullibardine Castle.
• Sensuously dressed up in pastel, grey, and gold, the elegant Gustavian Classicism interiors features lighted candles, cut-glass chandeliers, taffeta curtains, and friezes and medallions displaying a multitude of classical gods and figures, all perfectly restored by the current owner, the insurance company Skandia.
• Presented to the Merchant Taylors' Company of London by Charles Hoskyns in 1588, he was appointed Chief Butler for the occasion in 1607 upon which James I, the queen and prince were banqueted at the Company Hall, and supplied a requisition of 19 ells of taffeta to clothe the three singers brought into the feast in a ship.
• Lampas is a type of luxury fabric with a background weft (a "ground weave") typically in taffeta with supplementary wefts (the "pattern wefts") laid on top and forming a design, sometimes also with a "brocading weft".
• Originally moire was only made of silk taffeta; however, now cotton and synthetic fibers such as viscose (rayon) are also used.

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