Anagram & Information om | Engelska ordet TIMBRES

Exempel på hur man kan använda TIMBRES i en mening

• Post-rock is a subgenre of experimental rock characterized by the exploration of textures and timbres as well as non-rock styles, often with minimal or no vocals, placing less emphasis on conventional song structures or riffs than on atmosphere for musically evocative purposes.
• In music, serialism is a method of composition using series of pitches, rhythms, dynamics, timbres or other musical elements.
• His understated style of guitar playing, a signature of U2's music, is distinguished by chiming timbres, use of rhythmic delay, drone notes, harmonics, and an extensive use of effects units.
• The unusual timbres he employs evoke a surrealist atmosphere which portray emotions of considerable intensity with vast and sometimes haunting soundscapes.
• Throughout 1965 and 1966, the Stones moved further from their traditional blues-based sound and experimented more and more with Indian timbres in their music, with prominent examples of this trend in their work including "Mother's Little Helper" and "Paint It Black" Additionally, Brian Jones, the original leader of the Rolling Stones, became an important creative force within the band due to his contributions on multiple instruments during the sessions for Aftermath, Between the Buttons, and Their Satanic Majesties Request.
• Originating in the 1940s with the work of Pierre Schaeffer, they were used among contemporary composers of 1950s and 1960s, such as Éliane Radigue, Steve Reich, Terry Riley, and Karlheinz Stockhausen, who used them to create phase patterns, rhythms, textures, and timbres.
• According to David Cope, "micropolyphony resembles cluster chords, but differs in its use of moving rather than static lines"; it is "a simultaneity of different lines, rhythms, and timbres".
• Soft, mellow timbres generated by synthesisers are often called pads, and are generally used as backing sounds.
• Joan La Barbara's early creative work (early to mid 1970s) focuses on experimentation and investigation of vocal sound as raw sonic material including works that explore varied timbres on a single pitch, circular breathing techniques inspired by horn players, and multiphonic or chordal singing.
• Where previous electronic music had used non-traditional structures, Subotnick's electronic compositions are structured more like the classical music for acoustic instruments with which audiences are familiar, but with nontraditional timbres and pitch manipulations no orchestra could produce.
• She has used over 75 different tunings in her compositions using this technique, each producing new harmonic possibilities and exotic timbres plus a polyphony and independence of voices that her previous work with a single curved bow couldn't obtain.
• The British music critic Felix Aprahamian wrote that the musical textures of this work "reflect at once the polychrome tones and timbres of Debussy's art and the fourths, fifths, discant and parallel motion of the ars antiqua".
• Electroacoustic music is a genre of popular and Western art music in which composers use technology to manipulate the timbres of acoustic sounds, sometimes by using audio signal processing, such as reverb or harmonizing, on acoustical instruments.
• However, unlike other contemporary blues harp players, such as Sonny Boy Williamson I and Snooky Pryor, who had also begun using the newly available amplifier technology around the same time solely for added volume, Little Walter purposely pushed his amplifiers beyond their intended technical limitations, using the amplification to explore and develop radical new timbres and sonic effects previously unheard from a harmonica or any other instrument.
• Instruments in gamelan gong kebyar offer a wide range of pitches and timbres, ranging five octaves from the deepest gongs to the highest key on a gangsa.
• For many years unfamiliarity with Dvořák's operas outside the Czech lands helped reinforce a perception that composition of operas was a marginal activity, and that despite the beauty of its melodies and orchestral timbres Rusalka was not a central part of his output or of international lyric theatre.
• Similar to nationalism in its eagerness to rescue the local traditions, primitivism also incorporated irregular metrics and accentuations, a greater use of percussion and other timbres, modal scales, and polytonal harmony.
• Liszt relies particularly on dark timbres and low registers, providing expressive indications such as expressive dolente, feeble, lachrymoso, lamentative, lugubrious, crying.
• Typically, two or three clearly contrasting timbres (through varying finger placement or clacking of a ring against the drum shell) are played in an antiphonal style.
• While striving to preserve, and in some cases recreate, authentic voicings and vocal timbres, the Rustavi singers have simplified the complex scales used by the earlier choirs in order to create firmer, more brilliant harmonies.

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