Anagram & Information om | Engelska ordet TRIGLYPHS

Exempel på hur man kan använda TRIGLYPHS i en mening

• The frieze of the Doric entablature is decorated with alternating triglyphs and 525 pictorial emblems, including serpents, nautical symbols, devices representing the arts and sciences, and Masonic symbols.
• Decorative stone features in the Doric order of classical architecture in Greek temples such as triglyphs, mutules, guttae, and modillions are supposed to be derived from true structural and functional features of the early wooden temples.
• The loggias in the lower floor were in the Doric order; the associated entablature has a frieze which alternates metope (decorated by dishes and bucrania) and triglyphs.
• It is influenced by the Doric order, but with un-fluted columns and a simpler entablature with no triglyphs or guttae.
• However, there was little about Speer's elaboration of the sketch that might be termed Doric, except perhaps for the triglyphs in the entablature, supported by the geminated red granite columns with their Egyptian palm-leaf capitals, previously employed by Speer in the portico outside Hitler's study on the garden side of the new Chancellery.
• In ancient Rome, bucrania were frequently used as metopes between the triglyphs on the friezes of temples designed with the Doric order of architecture.
• A stone metope may be carved from a single block with a triglyph (or triglyphs), or they may be cut separately and slide into slots in the triglyph blocks as at the Temple of Aphaea.
• While the Doric one has metopes and triglyphs with guttae, Ionic and Corinthian friezes consist of one big continuous band with reliefs.
• This heroön, known as the oratory of Phalaris, was much more similar to classical architecture, with the building being prostyle, tetrastyle, and having columns in the Ionic order and both triglyphs and metopes, as in the Doric style.
• Thomon's design called for a peristyle of forty four Doric columns resting upon a massive stylobate of red granite and supporting an entablature of triglyphs and slotted metopes.
• In the Doric order, the sloped underside of the horizontal geison is decorated with a series of protruding, rectangular mutules aligned with the triglyphs and metopes of the Doric frieze below.
• The elegant Doric architrave of metopes and triglyphs resting on the columns was transformed into a continuous frieze with griffins, festoons and foliage.
• Greco-Roman architectural motifs are also very used: flutings, pilasters (fluted and unfluted), fluted balusters (twisted and straight), columns (engaged and unengaged, sometimes replaced by caryatids), volute corbels, triglyphs with guttae (in relief and trompe-l'œil).
• The design involved a symmetrical main frontage with five bays facing the corner of Bulwark and Danygaer Road; the central section of three bays featured a full height tetrastyle portico with Doric order columns supporting an entablature inscribed with the words "Victoria Regina MDCCCXLII", as well as a frieze with triglyphs and a modillioned pediment.
• 91 m; each Doric column has twenty grooves and a slight entasis, and is surmounted by an architrave with triglyphs and metopes; also perfectly preserved are the tympani.
• The frieze contains triglyphs, incised patterns commonly paired with Doric columns, which alternate with paterae, circular medallions that occupy the spaces in the frieze called metopes.
• The portico features four Doric columns, an elaborate frieze with triglyphs and rosettes, a modillion cornice, and a semi-elliptical fan decoration in the cornice.
• The church is a plain, weatherboarded building with details that appear to be neoclassical moldings, including drill work suggesting triglyphs, dentils, and egg-and-dart, on the frieze and pediment.
• A Doric frieze, composed of triglyphs, metopes, and guttae, runs under the cornice around the building on three sides.
• It is framed by pilasters, with a frieze of triglyphs and metopes above topped by a dentilled cornice.

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