Synonymer & Anagram | Engelska ordet TRITONE

Exempel på hur man kan använda TRITONE i en mening

• From the mid-1970s his composition style changed, with his first violin concerto focusing on the semitone and the tritone.
• In music theory, the tritone is defined as a musical interval spanning three adjacent whole tones (six semitones).
• His sophisticated use of harmony, including the use of tritone substitutions, his virtuosic solos exhibiting a departure from the dominant style of jazz trumpet innovator Louis Armstrong, and his strong impact on Dizzy Gillespie mark him as one of the most influential musicians of the swing era and a precursor of bebop.
• The melody is finished by the first violins, with a syncopated series of Gs (which forms a tritone with C of the cellos and a diminished chord).
• Also, Deutsch, Henthorn and Dolson found that native speakers of Vietnamese, a tonal language, heard the tritone paradox differently from Californians who were native speakers of English.
• 1st tonal area, F minor (bars 1–21): Neapolitan (G chord) important (bar 6, 19); the Neapolitan appears in root position, not its normal first inversion, and the large-scale tritone motion of the bass voice (from G in bar 6 to C in bar 10) again emphasises the strident nature of this movement.
• This mode's augmented fourth and the Locrian mode's diminished fifth are the only modes to have a tritone above the tonic.
• This mode's diminished fifth and the Lydian mode's augmented fourth are the only modes that contain a tritone as a note in their modal scale.
• The coda of this short movement ends the Scherzo softly with a tritone substitute authentic cadence.
• Mention should be made of his interests in Indian ragas during the early 1960s, the Trimurti of Vishnu, Brahma and Shiva may well have been an inherent reference in his chromatic third relations, tritone substitutes, and so on.
• The solo violin enters playing the tritone, which was known as the diabolus in musica ("the Devil in music") during the Medieval and Baroque eras, consisting of an A and an E—in an example of scordatura tuning, the violinist's E string has actually been tuned down to an E to create the dissonant tritone.
• The original dominant pitch (the sharp fourth, also called sharp eleventh or flat fifth, relative to the original root) is often added to the tritone substitute dominant, due to that note's importance melodically and tonally – this is one of the ways in which substitute dominants may sound and function somewhat differently than conventional dominant chords.
• The piece, for all its dissonance, remains firmly in E major until the B–F tritone shatters the work's climax at the piece's end.
• The roots relate to each other as a pair of tritones - the E and B♭ form one tritone, and the D♭ and G form the other.
• This is followed by a reversal, from G to D major with F-sharp in the bass, to C major, which features a tritone movement in the bassline, going from F♯ to C, introducing a sense of instability.
• In diatonic set theory, a bisector divides the octave approximately in half (the equal tempered tritone is exactly half the octave) and may be used in place of a generator to derive collections for which structure implies multiplicity is not true such as the ascending melodic minor, harmonic minor, and octatonic scales.
• Pharoah Sanders – soprano saxophone, cow horn, bells, tritone whistle, cowbells, wood flute, thumb piano, percussion.
• Mistuning is also the displacement of a pitch a semitone away from its standard position in a stable tonal structure such as the most common perfect fourth or fifth, which mistuned in the opposite directions produce a tritone.
• Throughout the movement, G major, the relative major key, serves, in a conventional manner, as the key of the second theme of the "Moderato"; however, the keys of B-flat major and B-flat minor, a tritone from the tonic, also play a particularly notable role in the movement's modulations, with there being multiple occurrences of tonicizations from these keys.
• Notice that the terms ditone and semiditone are specific for Pythagorean tuning, while tone and tritone are used generically for all tuning systems.

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