Definition & Betydelse | Engelska ordet VISUALISING

Definition av VISUALISING

1. böjningsform av visualise
2. presensparticip av visualise

Exempel på hur man kan använda VISUALISING i en mening

• When 2000 AD was in preparation in 1977, an artist was needed for the revamped "Dan Dare", and Belardinelli tried out for no pay and got the job, and the rare honour of a byline, despite editor Pat Mills' reservations: although he excelled at visualising aliens, alien technology and alien landscapes, Mills thought "the hero looked awful".
• Bulk methods to study IDP structure and dynamics include SAXS for ensemble shape information, NMR for atomistic ensemble refinement, Fluorescence for visualising molecular interactions and conformational transitions, x-ray crystallography to highlight more mobile regions in otherwise rigid protein crystals, cryo-EM to reveal less fixed parts of proteins, light scattering to monitor size distributions of IDPs or their aggregation kinetics, NMR chemical shift and Circular Dichroism to monitor secondary structure of IDPs.
• 3,3′,5,5′-Tetramethylbenzidine or TMB is a chromogenic substrate used in staining procedures in immunohistochemistry as well as being a visualising reagent used in enzyme-linked immunosorbent assays (ELISA).
• Evocation of the Archangels, during which the magician stands in the form of a cross and evokes the presence of archangels, visualising them at the four cardinal points: Raphael (east), Gabriel (west), Michael (south), and Uriel (north).
• WHAT IF also provides an environment for: homology modeling of protein tertiary structures and quaternary structures; validating protein structures, notably those deposited in the PDB; correcting protein structures; visualising macromolecules and their interaction partners (for example, lipids, drugs, ions, and water), and manipulating macromolecules interactively.
• Huson: Splitstree, a program for analysing and visualising evolutionary data - Bioinfomatics 14(1) (1998).
• In an interview with Keiko Okamura, curator at the TOP museum, Yamashiro explains her choice to reenact the footage being a consequence of her difficulty sympathising and grasping the participants experiences solely through listening to them speak as well as the impossibility of her visualising their stories when she had no similar experiences.
• After a demonstration of how the Moviola works, Murch talks about his approach to visualising the edit, before he cuts two scenes from Mr.

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