Information om | Engelska ordet WAYANG

Exempel på hur man kan använda WAYANG i en mening

• November 7 – UNESCO places among the Masterpieces of the Oral and Intangible Heritage of Humanity wayang kulit, a shadow puppet theatre and best known of the Indonesian wayang.
• The instructors were masters of Indonesian topeng masked dance-drama and wayang kulit shadow puppetry.
• He is known for his solo performances on clarinet and bass clarinet; additionally, Ziporyn plays gender wayang and other Balinese instruments, saxophones, piano & keyboards, EWI, and Shona mbira.
• Kris weaponry, batik and ronggeng dance art, gamelan musical instruments, and wayang kulit puppetry were introduced to them through Javanese contact.
• Similar flat, jointed puppets have been in use in shadow plays for many centuries, such as in the Indonesian wayang tradition and in the "ombres chinoises" that were especially popular in France in the 18th and 19th century.
• During his reign, the Hindu epics, including the Rāmāyana and the Mahābhārata, became ingrained in the Javanese culture and worldview through the performing arts of wayang kulit (“leather puppets”).
• In addition to using traditional Indonesian gamelan music, Morris studied Indonesian dance, Indonesian puppet theater (wayang kulit) and traditional Javanese court dances, such as the bedhaya and serimpi, extensively borrowing movements, formation patterns and hand gestures from the dances for this work.
• The development of the sacred dance bedhaya and important developments in gamelan and wayang are attributed to the court of Sultan Agung.
• Back then, the street featured a famous cabaret, cultural shows, Malay joget, Chinese opera shows, wayang, ballroom dances like rhumba, foxtrot and tango, and amusement fun fair elements like a merry-go-round and ferris wheel.
• It performs the music and dance of Bali in many different genres of Balinese gamelan, mainly gamelan gong kebyar, gamelan angklung, gender wayang, and gamelan jegog.
• When gamelan is played independently of wayang, pathetan are played instrumentally by the soft elaborating instruments—rebab, gender, gambang, and suling—at the beginning or conclusion of pieces, following the contour of the associated vocal melody.
• As the only Indonesian royal city still ruled by a monarchy, Yogyakarta is regarded as an important centre for classical Javanese fine arts and culture such as ballet, batik textiles, drama, literature, music, poetry, silversmithing, visual arts, and wayang puppetry.
• angklung, batik, kris and wayang), as well as words used to describe flora and fauna endemic to the Indonesian archipelago (e.
• Javanese wayang wong performances are regularly staged on the Trimurti Ramayana open-air stage in Prambanan temple, compound as Ramayana Ballet, Purawisata cultural hall in Yogyakarta, Sriwedari park in Solo, and also Ngesti Pandawa in Semarang.
• The wayang kulit performance differs distinctively from the original hikayat in that not only the elements of the performance are secularised, but the focus of the tale is also shifted instead towards the Maharaja Wana, or Rawana; who is depicted as being more sympathetic than Seri Rama, who is perceived as being arrogant and vain.
• The relief sculptures at the Candi Jago in East Java are narratives of the Mahabharata and are good examples of wayang style.
• The Chinese labourers, who settled in the area, built a temple in 1847 which still exists known as Goh Chor Tua Pek Kong Temple (梧槽大伯公廟), with the area having one of the last free-standing wayang stage in Singapore that was built in 1906 by Tan Boo Liat, a wealthy Hokkien Peranakan philanthropist and community leader.
• Like the other panakawan, the wayang kulit puppet does not have the elaborate openwork and ornamentation characteristic of the heroes In wayang wong, Semar always leans forward, one hand palm up on his back and the other extended partly forward, moving up and down, with an extended forefinger.
• In addition, their headdresses are simpler and the garment worn on the lower body is based on Javanese court dress Plots based on the Panji cycle are also common in East Javanese wayang klitik (using wooden puppets), in West Javanese wayang golek (using three-dimensional rod puppets), and in wayang beber (stories depicted pictorially on scrolls).
• When Hindu society began to disappear from Java and the era of Walisongo's wayang kulit began to emerge, Brahma's role as creator in the shadow puppet standard was given to a figure named Sang Hyang Wenang, while Brahma himself was renamed to Brama (fire) where he was a ruling god.

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